"What is the mechanism that increases risk for MOV-sourced fires in this arrangement?"
I wondered the same thing, and failed to find a satisfying explanation.
I can find plenty of reports of MOV fires, especially in situations where there's a persistent over-voltage, e.g. a 120 V site actually having closer to 240 V due to a floating neutral. But I don't see how chained MOVs make that worse in general. This blog post has some nice photos:
It took me a while to realise that you were responding to the article, not a comment here.
You're right in correcting the article, but I'd like to add that for probably around a decade, Erlang had 'sender punishment', which is what 'IsTom' who replied to you is probably talking about.
Ulf Wiger referred to sender_punishment as "a form of backpressure" (Erlang-questions mailing list, January 2011). 'sender punishment' was removed around 2018, in ad72a944c/OTP14667. I haven't read the whole discussion carefully, but it seems to be roughly "it wasn't clear that sender punishment solved more problems than it caused, and now that most machines are multi-core, that balance is tipped even more in favour of not having 'sender punishment'".
> All the designs I know of have a pumped (active) cooling loop for the reactor, then a secondary loop where the coolant (typically water) evaporates and drives a turbine, [...] You don't want potentially radioactive water to interact with your turbine directly, makes it a nightmare to maintain
A "Boiling Water Reactor" (BWR) has the reactor and the turbine on the same cooling loop. The radioactivity in the water going through the turbine is not a "nightmare", it is a manageable trade-off.
Some major currently-operating BWRs are Leibstadt (Switzerland, 1.2 GWe), Oskarshamn (Sweden, 1.4 GW) and several dozen in the USA. Germany also had some, they were shut down a few years ago (e.g. Grundremmingen).
I looked at a London telephone book from 1979, when I think the record was released.
Most of the phone numbers were something like 01 361 1234, i.e. seven digits after the 01 area code. The _361_ part was bold, so I think that was an exchange number.
A few numbers were something like "Placename 12345". Wikipedia explains why that was.
1. The recording engineer dialled the operator. Could have been pulse dialling, could have been DTMF, doesn't matter.
2. Operator answered and the engineer said "I'd like to call London, collect, number 01xxx831".
3. Operator entered 044 1 xxx 831, and this was transmitted to another exchange in SS5 tones.
I didn't grow up in the USA, but a couple of people who did have said that, yes, they think that at least some of the time, you could hear the SS5 tones and also the initial conversation between the operator and whoever answered the phone. It may be that it depended on the operator, since they probably had a mute button, and maybe on the particular exchange the operator was in.
That one's just ordinary DTMF. I recorded the audio, trimmed it manually and then made a spectrogram like this:
sox gun1.wav -n rate 4k spectrogram -m -y 500
The 'rate' switch is to cut down on how much of the frequency space we can see. I left the audio as stereo because there's less music power on one channel, making it easier to see the tones.
(And google finds quite a few pages confirming those digits)
You're right; I think CCITT5 is just another name for SS5, because different groups were writing standards. Bell called it one thing, CCITT (an international standards group) called it another thing. And then in the 1990s, the CCITT renamed itself to ITU.
I started analysing the audio because someone sent me a link to the film (The Wall) on youtube and asked me about the signalling. Once I'd decoded the telephone number, I tried googling it, to see if someone else had already figured out what it was (a US local number? the number to a US operator? the number a US operator called to talk to a UK operator? the number a UK operator dialled to get a London number?), but nothing came up. There's quite a bit of good discussion about that in the comments here.
A week or two later, I tried googling 'Pink Floyd Telephone Call', and found that the audio actually comes from the album, i.e. it's not just in the film, and a bit more information about how it was made, and put that in the addendum.
Normally, films use deliberately fictious numbers, e.g. in the US it's always xxx555xxxxxx. Wikipedia says the UK uses various area codes for the same thing, including 011x and 01x1. The Pink Floyd number is a bit unusual---it's not made up.
According to a previous analysis, the call was the album's "Chief Engineer James Guthrie who called his own London apartment", with a neighbour answering the phone. Someone probably knows roughly where James Guthrie lived in 1979/1980 and what the area code there was. But I don't.
Yep, 44 is the UK country code. The problem I got stuck on is that the rest of the number, 1831, didn't make sense. I assumed the number was complete, since it had the right start and stop signalling (KP1/KF).
It's not long enough to be a London telephone number, and, today, I think London numbers start with 020. The UK numbering plan has changed several times since 1980, but I couldn't find a time between 1980 and now where part of 1831 was a London number.
Later on (in the addendum), it turns out that others took a look at the signal in the time domain and spotted a splice, i.e. digits are chopped out of the middle of the number, so the area code probably isn't there at all. It could be that the area code starts with 1, and then the phone number ends with 831.
I wondered the same thing, and failed to find a satisfying explanation.
I can find plenty of reports of MOV fires, especially in situations where there's a persistent over-voltage, e.g. a 120 V site actually having closer to 240 V due to a floating neutral. But I don't see how chained MOVs make that worse in general. This blog post has some nice photos:
https://www.electrical-forensics.com/SurgeSuppressors/SurgeS...