iconosynclast

3 years agodiscuss

Because film has a color grade built in to some extent ewhile digital does not. The "look" people built into the film back in the day because they couldn't just do it in post can still be a great look today and is pretty orthogonal to objective quality of the information captured.

iconosynclast

3 years agodiscuss

I don't think taken to this extreme this is true either. Sure for a given film setup you could come up with a better digital setup but that doesn't mean every digital setup is strictly better now than what you'd use if digital wasn't an option. and you could always construct some monstrosity of a camera that just throws more film at the problem to get a better result, though IMAX seems to be the limit of what people are willing to do on that front.

iconosynclast

3 years agodiscuss

I'm pretty sure at this point high end digital cinema cameras can straight up outperform film in all but the most extreme cases (like giant IMAX negatives maybe) but that's also a much more recent development than most people would think.

More freedom in post allows more freedom to do things audience may or may not like but I don't think it's technical limitations holding things back anymore.

Similarly I'm a bit dubious on the LED lighting comment by the anonymous redditor. Yes LED color rendering used to be pretty horrible but these days it really doesn't have to be. all the major LED manufactures have high end white parts for color critical applications and even color mixing is actually good now with the advent of phosphor converted broad spectrum colored LEDs.

All this stuff increases the available creative space but at the same time it might not be easier to find the good stuff in a larger space

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