Counterculture is a culture that is counter to the mainstream culture. If a culture is happy on its own, it is more of just a subculture. Cyberpunk itself features counterculture not just subculture, but is also inspired by the counterculture at the time.
Cyberpunk doesn't randomly contain megacorporations, harsh environments and loneliness but it reflects the worst-case scenario for the ideals at the time. The grey skies and rain is because of pollution having destroyed environment as was relevant in concerns over acid rain or the oil crisis at the time. It is literally in the name with "punk". Japan doesn't have that much counterculture so it could never be that influential in cyberpunk. Just like it could never be that influential in music.
Something can be obscure and influential, but there is a limit to how defining it can be. Akira and Ghost in the Shell (and some video games) have been influential and are frequently credited for that, but that is about it. Everything else including similar media before and at the same time as them comes from mixing in other things [0]. Just like in music.
Korea is currently success with K-pop. But that is nothing in terms of influence compared to TikTok.
tl;dr: Cyberpunk is counterculture. Japan doesn't really do counterculture. Therefor it isn't very influential in cyberpunk despite having had influence.
The UK certainly have had its own counterculture. In some ways more than the US. That still doesn't take away from the franchises being published (and in parts made) by US companies with US culture in them.
The UK had an influence in punk music. But it was also banned by the BBC and bands were at times left to tour elsewhere. Japanese companies created most of the affordable electronic instruments. Yet, electronic music in jungle, drum and bass, UK garage and rave culture took off in the UK with influences from reggae, soul and R&B. Now with the help of BBC Radio 1. This style of music then made it into Japanese video games. With similar things happening in the US with jazz, hiphop and house music.
I'm sure it is possible to gotcha the argument. Hollywood has still created far more interpretations of science fiction in media than anyone else. If you really want to argue for British dystopian science fiction movies then Children of Men is an excellent example. But it is also almost the only one of note.
A country with major influence on science fiction that often goes uncredited probably isn't Japan but Canada.
Gibson was obviously very inspired by Japan. The Matrix was also in part directly inspired by Ghost in the Shell, even creating The Animatrix at the same time. But Ghost in the Shell and Blade Runner was told from the inside. It is about the authorities chasing down rouge elements. Neuromancer and The Matrix is from the perspective of the outsiders.
Like someone else said in the comments here, cyberpunk is counterculture. It is in the name. Gibson moved to Canada to avoid getting drafted into the Vietnam war. Japan never really did counter-culture as mainstream as the US does. Considering the overlap between cyberpunk and anime, I would actually say that Japan is sometime given too much credit by being treated as the superior original with deeper meaning. When it is Western media that have explored more advanced and diverse interpretations.
A similar thing happened with Battle Royale. A niche movie. The same concept became a cultural phenomenon with The Hunger Games, and later Maze Runner and Divergent series. And then video games. Now made from the outspoken perspective of the teenagers.
So you should absolutely credit the US counterculture and environment for a large part of cyberpunk and dystopian, but also more utopian science fiction. I don't even like Hollywood much, but it still has a far wider catalog than anyone else. Who else could make Grand Theft Auto, Call of Duty: Modern Warfare or even Star Trek: Voyager? Disney made Andor by the way.
No it wasn't. The question was that if regulation creates more competition with Apple what are the markets with this competition?
European companies compete with US companies, including Apple, in areas where there is competition. In music software, music streaming, engineering and finance software, services and so on.
Apple has around 33% smartphone market share in Europe. Where is the US competition? Google at 3%. The actual competition is non-US in Samsung and Xiaomi. You can argue that Google competes with the Play Store, but then there is no competition with the Play Store on Android from the US.
Big US tech companies don't compete with each other as much as one might think. Most of their revenue comes from dominating one area or platform, with little competition from the rest.
So therefor the common conclusion that Europe should be more like the US to have competition also doesn't make sense as the big US tech companies don't have serious direct competition in the US in their core businesses.
You can't compete with the big tech companies by creating a Google with 3% market share in smartphones to compete with Apple, a Walmart with 6% online retail market share to compete with Amazon, or a Microsoft with 4% search engine market share to compete with Google.
> The problem is that you pass DMA, DSA, GDPR, etc. which Google, Apple etc. can fight for years in court and if they have to pay a few billion, so be it.
And how do you compete with the big tech companies without it? It's been decades without anyone being able to do it. Not in Europe and not in the US. OpenAI might have a chance, but they also have billions.
The days where someone could drop out of school and start a company in the garage is over. Cost of living is up, so is competition. Companies need to expand and regulation like GDPR makes it easier to do so instead of having to deal with multiple countries regulation. The US always had an advantage in regulation like the DMCA.
To spell it out, before regulation European companies had to...
Deal with privacy regulation of each country. Which in the EU was supposed to be similar, but wasn't entirely. With GDPR not only is it the same in the EU, but other countries are now following the same model.
Register for VAT in every EU country it sold (enough) products in. Making many not sell to other countries at all until Amazon ate their business. With VAT MOSS you only register in you own country.
Accept many form of payments with many different fees since credit card adoption and cost could vary wildly. With interchange fees capped you increasingly only need to accept common credit cards.
Pay large roaming charges when traveling, making starting services like Uber or Airbnb less relevant since you couldn't assume someone had data in another country.
Try to compete with big tech companies that were charging for access to their platforms while minimizing their taxes through royalty payments, VAT deals and offshore holdings. Giving them a huge advantage. This is still the case, but lesser so.
For actually running a company it is a lot better now.
There are other problems with EU regulations. Some things are natural monopolies or in other ways doesn't do well as markets. Privatization and state-aid rules prevent European countries from effectively managing these areas. Any advantage Europe had over the US in cost of living and public services is rapidly diminishing.
In some ways, it is just more noticeable now. Because even countries like the US had a huge push for public infrastructure in the road network, state schools and energy when those things were both more and less important than now. Now urban housing, broad education and energy efficiency have become more important with changes in society and the economy. But there isn't the same public influence in those areas now.
That is, there were always estates, land, and business. And private education. Just that public investment created and enabled other opportunities. A massive road network enabled sprawl where additional housing could be constructed at a decent cost. Now the economy wants density for network effects, but there isn't a similar expansion in public transport. So urban housing has become very valuable.
> Comparison data also showed that at every wealth level in the U.S., mortality rates were higher than those in the parts of Europe the researchers studied. The nation’s wealthiest Americans have shorter lifespans on average than the wealthiest Europeans; in some cases, the wealthiest Americans have survival rates on par with the poorest Europeans in western parts of Europe such as Germany, France and the Netherlands.
> Just as in other countries, chronic conditions like heart disease are major factors in how many years Americans remain alive but in poor health. But, the authors add, a high burden of mental health and behavioral conditions — which the WHO groups together, and include depression, anxiety and addictions to alcohol and drugs — are also weighing heavily on our health span, as well as curtailing life expectancy in the U.S.
> Underpinning both chronic diseases and what are sometimes called deaths or diseases of “despair,” such as addiction, is the prevalence of loneliness, stress and inequality in the U.S., Gurven says. “It’s hard to avoid that living in a highly unequal society is stressful and that takes a toll on our health in so many ways,” he says. That inequality affects not only access to health care, but can also be seen in how little opportunity there is for Americans in many parts of the country to get physical activity or healthy meals in their busy days, helping to fuel the obesity epidemic, which, in turn, curtails health span.
It think the site is an interesting exercise. If nothing else to show that science fiction doesn't have to happen like we might think it does. There is no space elevator, but 1 million people in the air at any given time. There is no matrix, but many lifetimes have been spent in World of Warcraft. Reality doesn't need to switch context for things to change, which is often what science fiction does.
No, they aren't. These things happen all the time. Anyone can install Linux on a few laptops. Heck, 'anyone' can create their own Linux distribution. And plenty do. To make a difference they need to hire staff to actually manage it. And because Linux doesn't have the same facilities they probably need to be developers. Europe doesn't have a track record of hiring developers for government service. As a politician from the "Moderates" she is likely against it. It's now all privatization all the time. The US ironically does. I bet this doesn't last much longer than until there is a new minister for digitalisation.
They don't have the capacity. The opinion you present is actually part of the narrative you are seemingly against. That you can compete with big tech if you just want to.
And you "can" compete with big tech, but it isn't actually possible. Because the right pre-requisites, environment and priorities doesn't exist. Not in Europe, not in much of the US and not in much of the world.
The European companies the would (or could) prioritize having their own digital infrastructure (mostly research or more industrial companies) are also having lay-offs, or at least not growing close to more service oriented companies that are hooked into big tech.
For the same types of reasons the US also won't bring back manufacturing.
Edit: It also reminds me of a story from some time ago in Sweden. Because of the growing number of fashion designers the press were talking about the growing fashion industry as "the fashion wonder". The then CEO of H&M commented in an interview that most of these brands were making less revenue than just one of their stores. Many of these companies are now dead or irrelevant while H&M, Zara and Shein are still around and more relevant than ever.
If there actually was even more a shift to the web from desktop it would probably benefit Google with ChromeOS. Just like a shift from Windows for software development benefited Apple and their more closed ecosystem.
> If something isn't important to know, there's no answer to the question of why people don't know it. Not knowing random facts is the default. But if you're going to write about things that are important to know, you have to ask why your readers don't already know them. Is it because they're smart but inexperienced, or because they're obtuse?
So you can claim to have been homeless, or have experience having been homeless, but then you will be judged as having that experience. That isn't how you presented the story, but as a successful experiment where living in a dorm for $450 a month was also a good option. The redeeming lesson from such an experiment is that "being homeless isn't that bad" because "you weren't really homeless" not because "others also could have somewhere to live". The two has completely different implications.
You aren't being "gatekept" out of bad faith, but because it is nicer to believe that you are mistaken than the alternative. Because if you claim to actually have been homeless the story reads more like you put yourself above the rules, didn't consider your friends and don't understand the difference.
Cyberpunk doesn't randomly contain megacorporations, harsh environments and loneliness but it reflects the worst-case scenario for the ideals at the time. The grey skies and rain is because of pollution having destroyed environment as was relevant in concerns over acid rain or the oil crisis at the time. It is literally in the name with "punk". Japan doesn't have that much counterculture so it could never be that influential in cyberpunk. Just like it could never be that influential in music.
Something can be obscure and influential, but there is a limit to how defining it can be. Akira and Ghost in the Shell (and some video games) have been influential and are frequently credited for that, but that is about it. Everything else including similar media before and at the same time as them comes from mixing in other things [0]. Just like in music.
Korea is currently success with K-pop. But that is nothing in terms of influence compared to TikTok.
[0] https://en.wikipedia.org/wiki/List_of_cyberpunk_works
tl;dr: Cyberpunk is counterculture. Japan doesn't really do counterculture. Therefor it isn't very influential in cyberpunk despite having had influence.