(Note: historically accurate "about" from early 2009. Preserved for lulz…)
Mobile, mobile web, business analysis, rapid web/mobile prototyping. Tech Director (according to my business cards).
But _really_ microcontroller toy/art projects (Arduino/RaspberryPi), radio and/or computer controlled flying things (slope soarers, gliders, electric drones, and quadcopters), motorcycles (a Ducati Monster and a Honda Spada), and coffee (mostly espresso, not such a big fan of pourover/syphon/aeropress).
Cynical-me assumes every single AI company is vibe-coding everything, and _all_ their scrapers are as badly written as the typical publicly available scraper code and tutorial - mostly written by self promoting spammers and SEO "experts" in the late 2010s.
Any they all DGAF about wasting website owners server/network resources, of the CPU and network resources of the "dumb schmucks" who have a free vpn installed or a factory-hacked cheapo media box or mobile game the developer has surreptitiously monetised with a residential proxy sdk.
It also wouldn't surprise me at all to find there are dozens of competing training data acquisition teams at every frontier and wannabe frontier AI company - scraping the entire web in parallel to meet internal KPIs. Half of which have lost entire datasets due to vibe coded storage and archive setups.
I bought whole Intel N100 mini pc with 16GB of DDR5 in it in 2023 for $AUD289 (so about $US200). I got a 16GB (DDR4) SODIMM in 2022 for $AUD88 ($US60).
This is a beautiful turn of phrase - the likes of which is unlikely to ever be generated correctly and in appropriate context by an LLM:
"An additional inconvenience is the flyby speed: as designed, the Cyclers would swing by Earth at approximately 15,000 miles per hour, and fly past Mars at 22,000 mph. In order to intercept such speedy Cyclers, the rocket-taxis would need to be capable of splitting a lot of lickety."
If I'm interviewing at a Python shop that actually does statistics t=ype stuff or text munging, I'd expect them to have preferred/existing solutions for these tasks in their standard dependencies. And if it were a Javascript/Nodejs shop, or a C/C++ shop, or a Rust shop, they'd also have "standard tooling" that'd be "the preferred option" to anything I could hand roll (either in an interview or during a regular workday).
My "sort | uniq | sort" pipeline (usually combined with grep/tr/awk/sed or similar) is a reasonable answer for an underspecified task with none of the obviously existing but as yet unstated requirements that'd come along with this task is "the real world". It's not an actual proposed piece of production code - it's a way to demonstrate "a" way of doing it without even committing to a language, never mind whatever is in the in house standard set of modules.
If you want to test how find the median in Python, my immediate question would be "what Python modules are you already using? It'd be foolish to invent it myself if the actual codebase already imports numpy or pandas or SciPy. And it's be equally foolish to import one of those if they are already not in use.
(Admittedly, it's been a _looooong_ time since I interviewed for a junior or mid level developer role where leetcode games might be part of the hiring hoop-jumping.)
Is that really a "more applicable" task that finding the median? Are there actually software development jobs where either of those tasks are a regular/common part of the work, where people don't "just know" how to do them using whatever tools the job already uses?
I'm guessing I'd flunk your interview, because my initial response would be something like "No, I wouldn't write code for that. Unless there are unstated requirements, I'll just reach for the simplest possible solution, which for me would be something like cat textfile | tr ' ' '\n' | sort | uniq -c | sort -r That doesn't handle punctuation, probably doesn't handle unicode the way you might expect, and has a bunch of other things that additional requirements might rule out. But that'd be my starting point."
Back in the late 80s and early 90s, I drove a '72 Superbug reasonably regularly from Sydney to Brisbane and Melbourne, even Adelaide a few times. They're 800-1000km trips each way and 1600km for Adelaide.
Admittedly my muscles and bones ache and complain more now than when I was in my late teens and early 20s. And I'd almost certainly regret not having air con and working heating if I owned one now.
But realistically? 98+% of all my driving is trips or 5-15km or so. And probably still 95% of my driving (at least by trip count if not by km travelled) would be less than 50km trips. I think a "suitable for around town" car supplemented by taxis or rentals at airports because I choose to fly most of my 800+km trips these days would work out just fine for me.
The last 5 or 6 years the only long trips I've driven have been in a campervan borrowed from a friend to go to music festivals in Queensland - partly because a camper van is really nice compared to a tent (especially if the weather goes bad) and partly because that friend really likes lending it out (at leat to people he trusts).
> I think in the near future, people will start filtering out movies that have a non-trivial share created by AI.
I'm not _sure_ that's true? "Most people" know that McDonalds don't make the best burgers in their city - probably not even the best burgers in their neighbourhood. But they do make burgers that are reliably the same and for heaps of people "good enough" when things like price and availability and consistency are taken into account. And I don't blame then for that, for those people burger quality is a think that value less then me, and convenience is something they value more than me. They're not "wrong" just different.
Some of us will. I'm more concerned personally with books and music, and go well out of my way to make sure I'm buying then from "real people"(tm). The last few years most of my in cinema movie watching has been at a local cinema that screens classic movies. Recently I've seen a 70mm print of 2001 A Space Odyssey, 35mm prints of Blade Runner and Godfather. Last week we went to see the original Matrix I _know_ I'm not watching much AI generates film.
Earlier today I pointed someone toward Sade's song Young Lion.
It's a really good song all on it's own.
But if you take time to not only listen and understand the lyrics, but to find out the backstory of who she wrote that song for and why, it's a much more powerful story and a way more meaningful song.
AI can't make me feel that way. You can't have empathy with the author if there is no author. Whoever prompted some AI song/story/movie is more like the editor or producer than an author, and Sade's song can't make me feel empathy for her band or recording engineer.
I think there's probably some discussion about using AI to write fiction that should be had.
But.
Passing off your AI output as "human written" should be punished somehow. As a fiction reader, I don't care what ChatGPT has to say, even if you think you prompted it into a publishable story. I want to read stories written by humans, and I want to reliably be able to tell which are and which aren't, so I don't spend half my attention while reading trying to work out if this is an AI or not.
I have no clue how to make that come true. Part of me is sitting here thinking "I'm glad I'm old enough that I can spend the rest of my life reading fiction written before about 2020 and never run out of genuinely great human written stories."
"Download NoBeepPro for Android Auto now! It silences all unwanted warning sound, and totally doesn't surreptitiously enroll your car into a residential proxy service or mine crypto currency using your main power or hybrid battery!"
> At this point I don't know if I'd buy anything made after 2008.
At this point I'm contemplating finding a a late 60s/early 70s Beetle - or some other car with no more complex electronics in it than headlight switches and dizzy/points type ignition. Nobody is gonna be able to sewt that to remote brick itself when it thinks I'm ignoring it's incessant beeping.
Especially since, as that article describes, the "firmware" has a much more limited scope that it used to, now being mostly a loader for app rather that providing user functions.
Worrying about firmware development resources for a Flipper Zero seems a bit like concentrating on your bios instead of ongoing updates to Linux and the applications you use. Yeah, it's important, but it's probably exceedingly rare for the firmware here to need to change much.
I wonder if, for autonomous (or semi autonomous) flight, there's a way to make the drone flip and "power dive" then fly a carefully configured/programmed half-loop at the bottom? Seems there might be scope that way to have an autonomous "reduce altitude as rapidly as possible to 5m" function on a button that'd fly a full power j shape and compensate for the semicircular radius of the "deceleration without flying through your own prop wash" part of the maneuver? Similar (but more complex) to the "flip" and auto land functions on "toy" drones?
(I wonder if the drone people from Ukraine already have this? I suspect it'd make drones even harder to defend against with anti aircraft system designed and optimised to shoot down fighter/bomber planes instead of swarms of inexpensive drones.)
Keep in mind "copyright" explicitly does not cover "knowledge" or "ideas".
The reason I buy books is rarely for knowledge or ideas, its either for a good story in the case of fiction (which the author definitely should have the right to exclusively commercialise), or for the authors explanation of and idea or some knowledge which goes beyond the raw information I could find in the scientific papers or higher level descriptions.
Good storytelling and teaching are valuable and should come with some sort of exclusive rights to control and profit from by the author. And even bad storytelling and teaching should have that same protection from other people distributing it in ways that restrict the authors rights.
Clearly 130 years of protection is insane, and all it does is keeps Micky Mouses lawyers able to buy new yachts. But as others in this discussion have pointed out, after 20 year almost all of the authors who are still earning money off their works are already rich beyond most authors realistic hopes. I'm not sure 20 years is "the right length" for protection, you sometimes hear stories of works being rediscovered and becoming wildly popular more that 20 years past the original publication date (Kate Bush's Running Up That Hill getting back into the charts on the back of it being used in Stranger Things - for example).
I think iTunes Store and Netflix both showed 15 or so years back that if you give people and easy and convenient way to pay a reasonable price for music/movies - a huge number of people will willingly choose to pay and support the artists/creators, instead of hanging out on Bittorrent trackers and paying for seedboxes and sharing with friends.
And the siloing of movies by Netflix nd all the other streaming services, and the introduction of advertising into the "reasonable price" tiers, shows that people can and do remember piracy in still an option, for when corporations and copyright holding groups enshittify things. Lately amongst a lot of my friends I've seen more usb stick with movies being shared that even in the heyday of Bittorrent.
> Small differences in gain are ABX able much more readily than differences in noise at the 16 vs 24 bit level.
This was common knowledge at least as far back as the mid 80s, when every hifi shop and salesguy knew to ensure the bit of gear with the highest profit margin got played an almost imperceptible bit louder than the gear the customer came in to buy during back to back testing.
Mobile, mobile web, business analysis, rapid web/mobile prototyping. Tech Director (according to my business cards).
But _really_ microcontroller toy/art projects (Arduino/RaspberryPi), radio and/or computer controlled flying things (slope soarers, gliders, electric drones, and quadcopters), motorcycles (a Ducati Monster and a Honda Spada), and coffee (mostly espresso, not such a big fan of pourover/syphon/aeropress).
From Sydney, Australia.
twitter: @iain_chalmers | [email protected]
(GPG fingerprint: F1DE F002 29F0 9955 F1E6 141D 9E2C BE9E 4322 63ED)