It’s not about throwing out the process, it’s about making sure the end product is the result of intentional decisions rather than just going with the flow of whatever tool is being used. The grain isn’t intrinsically bad, but in a performant typeface you’re going to be reading for hours at a time, over-reliance on a single tool will noticeably harm the readability.
By switching between digital and analogue drawing tools, you’re translating the work between different media, and the act of translation is what smooths over the bumps of any single tool.
AI might eventually become good at fiddling with the béziers, but doing that part manually is an essential part of the process. If you don’t fully understand how the béziers naturally behave (and when to lean into or push back against that, for both aesthetic and technical reasons), the end result will be meaningfully worse.
By switching between digital and analogue drawing tools, you’re translating the work between different media, and the act of translation is what smooths over the bumps of any single tool.
AI might eventually become good at fiddling with the béziers, but doing that part manually is an essential part of the process. If you don’t fully understand how the béziers naturally behave (and when to lean into or push back against that, for both aesthetic and technical reasons), the end result will be meaningfully worse.