In short: we'll have the machines tell the creators what to create.
> You could imagine an AI company suggesting back to creators that they need more created about topics they may not have enough content about. Say, for example, the carrying capacity of unladened swallows because they know their subscribers of a certain age and proclivity are always looking for answers about that topic. The very pruning algorithms the AI companies use today form a roadmap for what content is worth enough to not be pruned but paid for.
I refuse to read any creative analysis of Moby-Dick that doesn't take a serious stand as to WTF was going on in Melville's head when he wrote Chapter 94, A Squeeze of the Hand. Or is it just meant to be a hidden treat for the freaks whose eyes didn't glaze over during the whale-facts portion?
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Muting the percussion on a track allows the melodies to be more easily sampled in other songs and mixes. I imagine that this is a way to help their music be plugged into future songs.
In terms of influence, it's disappointing that the author neglected to mention the considerable online fandom around the show during its original run. A television show with a genuine series-long narrative arc screamed out for debate over cryptic hints and plot twists, which all found their home within a handful of usenet groups.
And the definitive online reference to the show, The Lurker's Guide to Babylon 5, is still there, unchanged since the mid 90s: http://www.midwinter.com/lurk/
To be honest, this sounds like bloody red meat to any black or grey hats out there interested in having some infiltration fun. Why not show up at Twitter’s hq with a mouth full of smart sounding engineering babble and a backpack full of spycraft toys?
I'm curious if this is any more consistent than the webcam software that Canon provided for Windows and Mac. I tried the Mac implementation briefly, but found it to be _extremely_ glitchy (even with hard-wired power).
Regarding Cloudflare donating their service fees to an LGBTQ support org, that's some genuine D-grade advocacy. I feel bad for the ERG members who were put in the position of choosing that charity.
If someone keeps starting fires on my property, I don't want you to donate to the local fireman's fund, I want you to stop giving that person matches.
I'm really tired of the implied narrative around the Netflix-Chapelle-Trans debate being that transgender people are insisting that 'The Closer' be removed from the Netflix platform. That was never a request of their ERG. In fact, you can read the specifics of what they asked for here: https://www.theverge.com/2021/10/18/22733098/netflix-trans-e...
The overall theme of what they were asking for was around harm reduction and seeking equal time (and money) for trans-affirming content. Demanding that any art that offends you be eliminated isn't something that a wise person would broadly argue for, and that argument wasn't being made here.
The person talking loudest about cancelling Dave Chapelle... is Dave Chapelle.
> You could imagine an AI company suggesting back to creators that they need more created about topics they may not have enough content about. Say, for example, the carrying capacity of unladened swallows because they know their subscribers of a certain age and proclivity are always looking for answers about that topic. The very pruning algorithms the AI companies use today form a roadmap for what content is worth enough to not be pruned but paid for.