Project Gutenberg is no longer fully blocked in Germany
109 comments
This is great news! This is a wonderful project, and the fact that it wasn't accessible from Germany made me profoundly sad and angry.
I hope the responsible copyright lawyers have a hard time sleeping because of this and consider changing their line of work. If you are blocking people from reading books in the public domain, it is a good indication that you are one of the bad guys.
Even worse, they only blocked people from Germany that didn't know how to use a VPN. German courts really don't get how the internet works.
I hope the responsible copyright lawyers have a hard time sleeping because of this and consider changing their line of work. If you are blocking people from reading books in the public domain, it is a good indication that you are one of the bad guys.
Even worse, they only blocked people from Germany that didn't know how to use a VPN. German courts really don't get how the internet works.
Sssh! If you tell foreign courts and litigants about VPNs, they'll stop accepting "we'll block it in your country if you get off our backs" and start demanding international jurisdiction.
At that point "it's legal in my country" will no longer suffice for anything online (which is basically everything). Everyone will need to be in compliance with the most restrictive subset of the law. Just in the realm of copyright, the public domain would be dramatically curtailed. All you would need is one rich country with strong legal ties to other nations and an appetite for perpetual copyright, and you would have a judgment mill by which you can make using any public domain content extremely risky.
The current status quo of country-by-country blocking may seem silly to people who know how to evade those blocks, but it makes courts happy and walls off the worst effects of copyright maximalism.
At that point "it's legal in my country" will no longer suffice for anything online (which is basically everything). Everyone will need to be in compliance with the most restrictive subset of the law. Just in the realm of copyright, the public domain would be dramatically curtailed. All you would need is one rich country with strong legal ties to other nations and an appetite for perpetual copyright, and you would have a judgment mill by which you can make using any public domain content extremely risky.
The current status quo of country-by-country blocking may seem silly to people who know how to evade those blocks, but it makes courts happy and walls off the worst effects of copyright maximalism.
Hell will freeze over before we get an international court.
The US literally has a law on the books to invade the International Criminal Court in the Netherlands if GWB is ever held trial for war crimes (wars of aggression have been a war crime since the end of WW2).
The US literally has a law on the books to invade the International Criminal Court in the Netherlands if GWB is ever held trial for war crimes (wars of aggression have been a war crime since the end of WW2).
I'm not sure that's relevant, since the Hague Invasion Act[0] only applies to war crimes. There's all sorts of other cases in which the US is perfectly happy with other countries asserting jurisdiction over it's own citizens. The US has signed plenty of extradition treaties that allow other countries access to US citizens who commit acts which are crimes in both jurisdictions[1].
Furthermore, copyright is usually treated as a civil tort; and the US also has processes to domesticate and enforce foreign court orders under US jurisdiction should someone decide to play scofflaw. There's plenty of international cooperation that makes the whole concept of "jurisdiction ends at national borders" null and void.
[0] Not the real name of the act, but this is funnier.
[1] If you're curious, there are countries that object to criminal extradition. Notably, France considers French nationality to constitute immunity to any extradition treaty it signs. Though, they haven't promised to invade countries over it like the US did.
Furthermore, copyright is usually treated as a civil tort; and the US also has processes to domesticate and enforce foreign court orders under US jurisdiction should someone decide to play scofflaw. There's plenty of international cooperation that makes the whole concept of "jurisdiction ends at national borders" null and void.
[0] Not the real name of the act, but this is funnier.
[1] If you're curious, there are countries that object to criminal extradition. Notably, France considers French nationality to constitute immunity to any extradition treaty it signs. Though, they haven't promised to invade countries over it like the US did.
The US does not enforce foreign libel judgements unless US courts would reach the same conclusions.
>The US literally has a law on the books
laws can change, I'd personally love to see some of our politicians and military leadership get punished for lying to the American people and the damage they did to entire nations around the world. A lot of people my age feel the same, some of these people better hope they croak before a younger generation can hold them accountable
laws can change, I'd personally love to see some of our politicians and military leadership get punished for lying to the American people and the damage they did to entire nations around the world. A lot of people my age feel the same, some of these people better hope they croak before a younger generation can hold them accountable
While extremely significant, I don't think that's the only reason. It is possibly even worse and the blame sometimes even falls outside of US borders.
We live in a world largely run by multinational corporations who would prefer to continue operating in a world devoid of multinational jurisprudence.
We live in a world largely run by multinational corporations who would prefer to continue operating in a world devoid of multinational jurisprudence.
Where can I read more about this?
https://en.wikipedia.org/wiki/United_States_and_the_Internat...
"In 2002, the U.S. Congress passed the American Service-Members' Protection Act (ASPA), which contained a number of provisions, including authorization of the President to "use all means necessary and appropriate to bring about the release of any U.S. or allied personnel being detained by, on behalf of, or at the request of the International Criminal Court""
"In 2002, the U.S. Congress passed the American Service-Members' Protection Act (ASPA), which contained a number of provisions, including authorization of the President to "use all means necessary and appropriate to bring about the release of any U.S. or allied personnel being detained by, on behalf of, or at the request of the International Criminal Court""
As if anyone needed even more incentive to execute war criminals like pigs in a slaughter house.
In Germany, the concept of "Public Domain" does not exist. (EDIT: It may exist 70 years after the authors death). IANAL.
Besides that, even if it would, the books would not have been in the Public Domain. From the announcement:
> In Germany, they are copyrighted based on "life +70 years" of copyright protection (so, copyright will expire after 2020, 2025 and 2027, respectively).
From a legal and business perspective, neither German legislation nor the Fischer Verlag are at fault here. It's just the way it is (in Germany): Creators hold their intellectual property for life and can make sure, their heir profits from the work of the (grand)parents, as well (+70 years after death of copyright holder).
And while I understand, that Project Gutenberg has limited resources and may have no desire to do the extra work of blocking works on a case by case basis, it would not have been difficult. Instead, they have chosen to collectively punish all people from Germany, which resulted us to be seven years without access, at least as long we did not utilize a VPN.
I am very happy, that this has been resolved now. All the legal hassle has cost (non-profit) money and was worthless, because the solution is the same now, they could have implemented seven years ago.
Besides that, even if it would, the books would not have been in the Public Domain. From the announcement:
> In Germany, they are copyrighted based on "life +70 years" of copyright protection (so, copyright will expire after 2020, 2025 and 2027, respectively).
From a legal and business perspective, neither German legislation nor the Fischer Verlag are at fault here. It's just the way it is (in Germany): Creators hold their intellectual property for life and can make sure, their heir profits from the work of the (grand)parents, as well (+70 years after death of copyright holder).
And while I understand, that Project Gutenberg has limited resources and may have no desire to do the extra work of blocking works on a case by case basis, it would not have been difficult. Instead, they have chosen to collectively punish all people from Germany, which resulted us to be seven years without access, at least as long we did not utilize a VPN.
I am very happy, that this has been resolved now. All the legal hassle has cost (non-profit) money and was worthless, because the solution is the same now, they could have implemented seven years ago.
> In Germany, the concept of "Public Domain" does not exist. (EDIT: It may exist 70 years after the authors death). IANAL.
Works are "gemeinfrei" (approx. "public domain") 70 years after the author's death, or 70 years after publication for non-natural persons holding a copyright (e.g. corporate copyright).
What you might think of is that there's no official way for an author to release works into the public domain in Germany.
That, and the life+70 idea, comes from the personality rights angle that underlies German (and other European) copyright: Personality rights are protected for 70 years after death, probably under the assumption that everybody who cares deeply about a person (instead of being potentially offended in some abstract sense) is also gone by then. Works are considered an embodiment of the personality of their author, and so they receive the same kind of protection. Just as you can't give away your personality rights, you can't give away all rights to your work[1]. Their commercial value, while more important these days, played a secondary role in the creation of this concept.
In comparison, the Anglo-Saxon copyright tradition (based on Statute of Anne of 1710[2]) cares primarily about protecting the commercial value and exploitation rights of the works, with little concern about how "remixes could attack the honor of the author"[3] or anything like that.
[1] Of course you can trade away commercial exploitation rights.
[2] https://en.wikipedia.org/wiki/Statute_of_Anne
[3] To paint the German position with a very broad brush
Works are "gemeinfrei" (approx. "public domain") 70 years after the author's death, or 70 years after publication for non-natural persons holding a copyright (e.g. corporate copyright).
What you might think of is that there's no official way for an author to release works into the public domain in Germany.
That, and the life+70 idea, comes from the personality rights angle that underlies German (and other European) copyright: Personality rights are protected for 70 years after death, probably under the assumption that everybody who cares deeply about a person (instead of being potentially offended in some abstract sense) is also gone by then. Works are considered an embodiment of the personality of their author, and so they receive the same kind of protection. Just as you can't give away your personality rights, you can't give away all rights to your work[1]. Their commercial value, while more important these days, played a secondary role in the creation of this concept.
In comparison, the Anglo-Saxon copyright tradition (based on Statute of Anne of 1710[2]) cares primarily about protecting the commercial value and exploitation rights of the works, with little concern about how "remixes could attack the honor of the author"[3] or anything like that.
[1] Of course you can trade away commercial exploitation rights.
[2] https://en.wikipedia.org/wiki/Statute_of_Anne
[3] To paint the German position with a very broad brush
I know Germany doesn't do legal precedent, but is there actually any case law demonstrating works can't be put into the public domain?
The idea it can't be done is a trope at this point, but I am frankly skeptical.
Moral rights to recognition aside, copyright can be sold, like any other property. Why do we think it can't be abandoned, again like any other property?
The idea it can't be done is a trope at this point, but I am frankly skeptical.
Moral rights to recognition aside, copyright can be sold, like any other property. Why do we think it can't be abandoned, again like any other property?
§42 UrhG (https://www.gesetze-im-internet.de/urhg/__42.html, english translation https://www.gesetze-im-internet.de/englisch_urhg/englisch_ur...) is probably core to what an author can do about their personality rights in relation to their works:
---
Section 42 Right of revocation for changed conviction
(1) The author may revoke a right of use vis-à-vis the rightholder if the work no longer reflects his conviction and he can therefore no longer be expected to agree to the exploitation of the work. The author’s successor in title (section 30) may exercise the right of revocation only if he can prove that the author would have been entitled to exercise this right prior to his death and that he was prevented from exercising the right or provided for its exercise by testamentary disposition.
(2) The right of revocation may not be waived in advance. Its exercise may not be precluded.
... (more stuff that is about compensation and how you can't use this clause to just start to exploit the works on your own after taking it out of circulation, but not relevant here) ...
---
Putting stuff into the public domain would either mean:
- that an author waives their right to revocation in advance (that "rightholder" would be the public, I guess), but that's explicitly forbidden by (2) or
- that they can claw back the work from the public domain, which keeps the work in some weird state where it's PD-unless-the-author-objects.
The only way to put a work into something that is somewhat similar to the public domain under German copyright (without dying and waiting for 70 years) is to publish it anonymously with a dedication to the public, so that redistribution etc is clear, and then remove all traces that you authored it (e.g. drafts, notes, ...) - and even then it falls back to you if somebody starts digging and finds proof of authorship (§66 (2) https://www.gesetze-im-internet.de/urhg/__66.html, english translation https://www.gesetze-im-internet.de/englisch_urhg/englisch_ur...). Any legal conscious redistributor wouldn't touch something like that with a 10 foot pole.
Just use CC0, it's cleaner.
As for
> Why do we think it can't be abandoned, again like any other property?
You can't sell yourself into slavery. That's the category personality rights operate in. Does it make sense for copyrights? ¯\_(ツ)_/¯
---
Section 42 Right of revocation for changed conviction
(1) The author may revoke a right of use vis-à-vis the rightholder if the work no longer reflects his conviction and he can therefore no longer be expected to agree to the exploitation of the work. The author’s successor in title (section 30) may exercise the right of revocation only if he can prove that the author would have been entitled to exercise this right prior to his death and that he was prevented from exercising the right or provided for its exercise by testamentary disposition.
(2) The right of revocation may not be waived in advance. Its exercise may not be precluded.
... (more stuff that is about compensation and how you can't use this clause to just start to exploit the works on your own after taking it out of circulation, but not relevant here) ...
---
Putting stuff into the public domain would either mean:
- that an author waives their right to revocation in advance (that "rightholder" would be the public, I guess), but that's explicitly forbidden by (2) or
- that they can claw back the work from the public domain, which keeps the work in some weird state where it's PD-unless-the-author-objects.
The only way to put a work into something that is somewhat similar to the public domain under German copyright (without dying and waiting for 70 years) is to publish it anonymously with a dedication to the public, so that redistribution etc is clear, and then remove all traces that you authored it (e.g. drafts, notes, ...) - and even then it falls back to you if somebody starts digging and finds proof of authorship (§66 (2) https://www.gesetze-im-internet.de/urhg/__66.html, english translation https://www.gesetze-im-internet.de/englisch_urhg/englisch_ur...). Any legal conscious redistributor wouldn't touch something like that with a 10 foot pole.
Just use CC0, it's cleaner.
As for
> Why do we think it can't be abandoned, again like any other property?
You can't sell yourself into slavery. That's the category personality rights operate in. Does it make sense for copyrights? ¯\_(ツ)_/¯
>Just use CC0, it's cleaner.
Which is probably fine for most text. Although note that CC0 was withdrawn from consideration by the OSI as a software license primarily because of issues around the patent language. (Basically the license does not grant patent rights which, depending on one's position about implicit grants, may or may not be an issue.) MIT-0 may be a better choice for software as a result.
Which is probably fine for most text. Although note that CC0 was withdrawn from consideration by the OSI as a software license primarily because of issues around the patent language. (Basically the license does not grant patent rights which, depending on one's position about implicit grants, may or may not be an issue.) MIT-0 may be a better choice for software as a result.
Small addition: the UrhG mentioned is the Urheberrechtsgesetz. Translated to English you would call it the "Law of rights of the originator". It is not just about "the right to make copies".
The English term is ‘moral rights’.
Urheberpersönlichkeitsrecht (what is called "moral rights" in English) is a subset of Urheberrecht.
UrhG covers copyright and moral rights, some stuff at the intersection, and then some, but on the other hand lacking a few bits covered by US copyright.
1:1 mappings between legal regimes seem to be quite rare.
UrhG covers copyright and moral rights, some stuff at the intersection, and then some, but on the other hand lacking a few bits covered by US copyright.
1:1 mappings between legal regimes seem to be quite rare.
Thanks for the detailed answer.
Richard Hipp has had to gin up a license for SQLite because of this.
The incompatiblity of U.S. and German copyright law is not so much in the momentary duration, which in both jursidictions is 70 years after the author's death (exceptions apply to anonymous publications). The major incompatiblities arise from the regulations which were in place before the durations were harmonized (for the U.S., prior to 1978).
On an international scale, the situation is more complicated. Rougly speaking, the range for the duration of copyright is from "life + 50 yrs" up to "life + 100 yrs". Wikipedia has a list of these.[1] There are many countries where works from up to the early 1970s are already in the public domain that are still under copyright protection in the U.S. for up to the next 20 years. In principle, problems may arise if the country in which a work is published in the Internet sets a shorter term of protection than the maximum term in this list.
[1] https://en.wikipedia.org/wiki/List_of_countries%27_copyright...
On an international scale, the situation is more complicated. Rougly speaking, the range for the duration of copyright is from "life + 50 yrs" up to "life + 100 yrs". Wikipedia has a list of these.[1] There are many countries where works from up to the early 1970s are already in the public domain that are still under copyright protection in the U.S. for up to the next 20 years. In principle, problems may arise if the country in which a work is published in the Internet sets a shorter term of protection than the maximum term in this list.
[1] https://en.wikipedia.org/wiki/List_of_countries%27_copyright...
> And while I understand, that Project Gutenberg has limited resources and may have no desire to do the extra work of blocking works on a case by case basis, it would not have been difficult. Instead, they have chosen to collectively punish all people from Germany, which resulted us to be seven years without access, at least as long we did not utilize a VPN.
They explain their rationale for this and it is a very sound one, it is not about the difficulty to block, it is about opening themselves to lawsuits. Here is the relevant quotes:
> Because the German Court has overstepped its jurisdiction, and allowed the world's largest publishing group to bully Project Gutenberg for these 18 books, there is every reason to think that this will keep happening. There are thousands of eBooks in the Project Gutenberg collection that could be subject to similar over-reaching and illigitimate actions.
> [...] There is every reason to fear that this huge corporation, with the backing of the German Court, will continue to take legal action. In fact, at least one other similar complaint arrived in 2017 about different books in the Project Gutenberg collection, from another company in Germany.
I agree with their assessment, once the German court decided that all international treaties and public domain basically don't exist, and decided that German courts have jurisdiction over the US, it means that ALL works on the project are equally "illegal" (or at least many, they can't know which ones), and therefore nothing on the whole site is safe to be accessible in Germany. Their only option was to block the whole site or open themselves to uncountable other lawsuits (and limitless amount of punitive damages).
As to how they reopened the site for Germany now, I can only speculate, but I imagine that in the settlement they somehow got some kind of assurance from the big publishers that they won't sue and seek punitive damages for other works. With that the project decided that the risk of lawsuit is now low enough to allow for opening for Germany.
They explain their rationale for this and it is a very sound one, it is not about the difficulty to block, it is about opening themselves to lawsuits. Here is the relevant quotes:
> Because the German Court has overstepped its jurisdiction, and allowed the world's largest publishing group to bully Project Gutenberg for these 18 books, there is every reason to think that this will keep happening. There are thousands of eBooks in the Project Gutenberg collection that could be subject to similar over-reaching and illigitimate actions.
> [...] There is every reason to fear that this huge corporation, with the backing of the German Court, will continue to take legal action. In fact, at least one other similar complaint arrived in 2017 about different books in the Project Gutenberg collection, from another company in Germany.
I agree with their assessment, once the German court decided that all international treaties and public domain basically don't exist, and decided that German courts have jurisdiction over the US, it means that ALL works on the project are equally "illegal" (or at least many, they can't know which ones), and therefore nothing on the whole site is safe to be accessible in Germany. Their only option was to block the whole site or open themselves to uncountable other lawsuits (and limitless amount of punitive damages).
As to how they reopened the site for Germany now, I can only speculate, but I imagine that in the settlement they somehow got some kind of assurance from the big publishers that they won't sue and seek punitive damages for other works. With that the project decided that the risk of lawsuit is now low enough to allow for opening for Germany.
> ALL works on the project are equally "illegal" (or at least many, they can't know which ones)
Those whose authors aren't dead for 70 years (because we don't have the "pre-1978" loophole the US has). Probably (but here things get vague) even limited to stuff originating from German authors, even if it was also published in the US pre-1978.
> limitless amount of punitive damages
Punitive damages? In Germany?
> I imagine that in the settlement they somehow got some kind of assurance from the big publishers that they won't sue and seek punitive damages for other works.
Project Gutenberg tried to make a stand and then found out that practically nobody bothered to notice their protest. Now they stop making an ass of themselves. Good on them.
Those whose authors aren't dead for 70 years (because we don't have the "pre-1978" loophole the US has). Probably (but here things get vague) even limited to stuff originating from German authors, even if it was also published in the US pre-1978.
> limitless amount of punitive damages
Punitive damages? In Germany?
> I imagine that in the settlement they somehow got some kind of assurance from the big publishers that they won't sue and seek punitive damages for other works.
Project Gutenberg tried to make a stand and then found out that practically nobody bothered to notice their protest. Now they stop making an ass of themselves. Good on them.
Which international treaties were ignored by German courts in these cases?
The OP writes: "International treaties explicitly and unambiguously support PGLAF's legal guidance as described above: that the copyright status in one country is not impacted or enforceable or otherwise relevant in other countries. Plaintiff managed to find a German Court, and some precedents from Germany (and, after the lawsuit was filed, from the EU), which were willing to flaunt international treaties by developing a theory that PGLAF is under jurisdiction of the German Court system."
That's the biased interpretation of the PGLAF. Framing the whole thing as "unambiguous", "managed to find a German Court" and "some precedents" is disingenuous. There is a reason they don't refer to any precedent supporting their position: there is none. How can you say with a straight face that the issue is unambiguous when in fact there is precedence pointing in the other direction?
Note that the courts didn't ignore those treaties and or somehow ruled they weren't enforceable. They just have a different interpretation of the legal contents of those treaties than the PGLAF does. Law is often not black or white and anyone who claims there is just one true position doesn't tell you the whole truth. The issue is actually pretty interesting legally and there is a lot more subtlety to it than the claim that courts are somehow bending the law.
Note that the courts didn't ignore those treaties and or somehow ruled they weren't enforceable. They just have a different interpretation of the legal contents of those treaties than the PGLAF does. Law is often not black or white and anyone who claims there is just one true position doesn't tell you the whole truth. The issue is actually pretty interesting legally and there is a lot more subtlety to it than the claim that courts are somehow bending the law.
Nitpick. German intellectual property laws are part of German legislation. Legislation is a body of laws. Maybe you meant the German legislative community. Well, it's their responsibility to maintain the legislation. Laws are not immutable.
I think our legislative has better things to do than to adopt US copyright law before 1978. Although it seems unpopular IMHO it would have caused project Gutenberg no harm to remove this few items until copyright is expired.
We are always complaining about China that they do not fully honor IP. I believe it is an ethical thing to do to honour the laws of the country were sth was originally created even if strictly legally speaking I can move around the world to circumvent unpleasant jurisdiction.
We are always complaining about China that they do not fully honor IP. I believe it is an ethical thing to do to honour the laws of the country were sth was originally created even if strictly legally speaking I can move around the world to circumvent unpleasant jurisdiction.
I've very little respect for intellectual property. I don't see it as much more than a way to stifle culture and innovation in the sake of greed. You could have a sensible implementation of IP where an intellectual product can be considered your property for some short duration. Not decades though.
> From a legal and business perspective, neither German legislation nor the Fischer Verlag are at fault here. It's just the way it is (in Germany): Creators hold their intellectual property for life and can make sure, their heir profits from the work of the (grand)parents, as well (+70 years after death of copyright holder).
I don't follow. Aren't you describing German legislation's choice to have extremely long copyright periods? How do you conclude that German legislation not at fault here?
I don't follow. Aren't you describing German legislation's choice to have extremely long copyright periods? How do you conclude that German legislation not at fault here?
I consider them long copyright periods, but not extremely long. I can tolerate life+70 years. Though, I'd prefer them, ideally, to be life+25 years and, considering life ain't ideal, life + 50. But I can live with life+70. But not more.
Why isn't the legislative not at fault if they have the power to change but won't?
The reasons you cite for having this long copyright could apply anywhere.
So what's the difference between Germany and the US. Shouldn't we want this changed everywhere.
I'm really trying hard not to whatabout this but tone of understanding at the copyright laws in Germany just got to me.
I'm really trying hard not to whatabout this but tone of understanding at the copyright laws in Germany just got to me.
[deleted]
The German copyright law doesn't seem unnecessarily vague, simply life+70 years, which is why there are now two authors blocked (3 at the time of the link). If you have a problem with Germany's life+70 years then you shouldn't be upset with the lawyers, you should be upset with your government to change your government's copyright laws to match whatever the US does.
It's a bit more complicated: The US adopted[1] the international regimen (life + 70) with an exception that US statute of limitations from before 1978 continue to apply to works published in the US before 1978.
So the US adopted everybody else's rules but has an escape hatch for older works - that only applies in the US and this is where the contention over these 3-5 works comes from.
The US later extended the "70 years" rule for anonymous, pseudonymous and work-for-hire works to cover 95 years since publication or 120 years since creation (whatever happens first) because The Mouse squeaked[2].
I'd prefer Germany not to adopt that one.
[1] https://www.copyright.gov/help/faq/faq-duration.html
[2] https://de.wikipedia.org/wiki/Copyright_Term_Extension_Act
So the US adopted everybody else's rules but has an escape hatch for older works - that only applies in the US and this is where the contention over these 3-5 works comes from.
The US later extended the "70 years" rule for anonymous, pseudonymous and work-for-hire works to cover 95 years since publication or 120 years since creation (whatever happens first) because The Mouse squeaked[2].
I'd prefer Germany not to adopt that one.
[1] https://www.copyright.gov/help/faq/faq-duration.html
[2] https://de.wikipedia.org/wiki/Copyright_Term_Extension_Act
[deleted]
> you should be upset with your government to change your government's copyright laws to match whatever the US does.
Why should every government copy what US does?
Why should every government copy what US does?
At least in this case the US copied Europe with it's term extensions (Disney certainly weren't unhappy about it but the notion that Disney drove this is a bit of a myth). And Europe set that term length when the EU unified terms because it set it at the longest length from the member nations at the time, which was Germany's life+70 years.
It's pretty interesting but the current global norm for copyright duration is, due to circumstance, almost entirely based on German norms.
It's pretty interesting but the current global norm for copyright duration is, due to circumstance, almost entirely based on German norms.
> the notion that Disney drove this is a bit of a myth
I thought it was Elvis Presley.
I thought it was Elvis Presley.
Looks like OP wants German laws to match US laws in this department. So he should be angry at lawmakers, not at lawyers.
I agree it's good news that the project complied with the original court order from 2018, which was to block the works on German IP addresses that are still under German copyright law. Why would American copyright law apply in Germany? It's a bit disingenous of Project G that, instead of blocking access to just these books in Germany, they blocked access to the all the books. That was project G's, and not the German court's, decision. I'm glad they've changed their minds.
> Why would American copyright law apply in Germany?
It doesn't. Project Gutenberg is an American entity, and operated entirely in the US. This is like asking why should American free speech laws apply in Thailand in regards to Thailand enforcing lèse-majesté laws on an American website.
It doesn't. Project Gutenberg is an American entity, and operated entirely in the US. This is like asking why should American free speech laws apply in Thailand in regards to Thailand enforcing lèse-majesté laws on an American website.
> and operated entirely in the US.
The problem is that it sent copyrighted files to Germany (outside the U.S.). The court order only demands to stop this.
I doubt that the order is enforcible on U.S. soil. But if individuals associated with an uncomplying organization set foot in or have assets in a territory where the order could be enforced, they risk real consequences.
The problem is that it sent copyrighted files to Germany (outside the U.S.). The court order only demands to stop this.
I doubt that the order is enforcible on U.S. soil. But if individuals associated with an uncomplying organization set foot in or have assets in a territory where the order could be enforced, they risk real consequences.
It is unreasonable that an individual who is neither a German citizen nor within German territory would later be subject to "real consequences" from the German legal system for actions which were perfectly legal in the time and place where they were performed. Even if they do later travel to Germany. This concept of extraterritorial jurisdiction needs to stop before we end up with a dystopia where either (a) no one can travel anywhere for fear of arrest based on something they did legally elsewhere, or (b) everyone is forced to comply with every law in every global jurisdiction at all times (even the conflicting ones which are impossible to satisfy) no matter where they happen to be or what the local laws may permit.
Even if Germany should decide to be unreasonable and claim global jurisdiction, it should either bar the offending individuals from entering altogether or grant them immunity under German law during their stay for anything done outside the country beforehand. Knowingly inviting someone in only to prosecute them would be a gross violation of the basic principles of hospitality.
If Germany doesn't want certain data coming in to their country they are welcome to erect a firewall at their border, at their own expense, to prevent their own residents from accessing it. Of course that still infringes the natural rights of the German residents, but that is an internal matter between the German government and those living there, who presumably would be permitted to leave if they so desired. It is not the place of non-German server operators to enforce German censorship laws, including but not limited to copyright.
Even if Germany should decide to be unreasonable and claim global jurisdiction, it should either bar the offending individuals from entering altogether or grant them immunity under German law during their stay for anything done outside the country beforehand. Knowingly inviting someone in only to prosecute them would be a gross violation of the basic principles of hospitality.
If Germany doesn't want certain data coming in to their country they are welcome to erect a firewall at their border, at their own expense, to prevent their own residents from accessing it. Of course that still infringes the natural rights of the German residents, but that is an internal matter between the German government and those living there, who presumably would be permitted to leave if they so desired. It is not the place of non-German server operators to enforce German censorship laws, including but not limited to copyright.
US websites which insult the Thai monarchy also send illegal files to Thailand.
Disclaimer: I'm not a lawyer.
If you look at it from an EU perspective, if you download a book that still falls under copyright in the EU (without permisison) and the server is in the EU, then obviously this is a copyright violation and the person who makes the work available on the server has a problem.
If the server is not in the EU, then the person downloading the book is essentially importing a copyrighted work into the EU without permission of the owner. Which is also a copyright violation.
Then the question becomes to what extent the person who makes the work available has ties to the EU. The stronger the ties, the more effort can be required to avoid such illegal imports. For example, if there would be ads targeted at the German public, then courts would be very quick that this falls under jurisdiction of German courts.
So people in German who would use a VPN to get around the block, who still violate copyright law in Germany.
If you look at it from an EU perspective, if you download a book that still falls under copyright in the EU (without permisison) and the server is in the EU, then obviously this is a copyright violation and the person who makes the work available on the server has a problem.
If the server is not in the EU, then the person downloading the book is essentially importing a copyrighted work into the EU without permission of the owner. Which is also a copyright violation.
Then the question becomes to what extent the person who makes the work available has ties to the EU. The stronger the ties, the more effort can be required to avoid such illegal imports. For example, if there would be ads targeted at the German public, then courts would be very quick that this falls under jurisdiction of German courts.
So people in German who would use a VPN to get around the block, who still violate copyright law in Germany.
>I hope the responsible copyright lawyers have a hard time sleeping because of this and consider changing their line of work.
Risking going off tangent, I highly doubt that would happen. When you work in a domain, your entire life becomes it, you slowly lose wider context and alternative perspective. I doubt there are many people who purposefully want to be the bad guys, it seems more like "learned indifference". Just like many people who eat meat on a daily basis but would be uncomfortable with a thought of a chicken being killed in a process (and some freak out from a sight of a live lobster in a restaurant tank). Maybe it's a negative side of the "flow" - losing some degree of empathy.
Risking going off tangent, I highly doubt that would happen. When you work in a domain, your entire life becomes it, you slowly lose wider context and alternative perspective. I doubt there are many people who purposefully want to be the bad guys, it seems more like "learned indifference". Just like many people who eat meat on a daily basis but would be uncomfortable with a thought of a chicken being killed in a process (and some freak out from a sight of a live lobster in a restaurant tank). Maybe it's a negative side of the "flow" - losing some degree of empathy.
> Even worse, they only blocked people from Germany that didn't know how to use a VPN. German courts really don't get how the internet works.
German courts are aware of the existence of means to circumvent such a block but don't see that as a reason to not even try. See e.g BGH, 26.11.2015 - I ZR 174/14
German courts are aware of the existence of means to circumvent such a block but don't see that as a reason to not even try. See e.g BGH, 26.11.2015 - I ZR 174/14
>Even worse, they only blocked people from Germany that didn't know how to use a VPN. German courts really don't get how the internet works.
I wouldn't make that assumption at all. As with many other examples, such as GDPR-related geofencing, a good faith attempt to restrict access usually goes a long way even if it's possible for a savvy user to get around the blocks.
I wouldn't make that assumption at all. As with many other examples, such as GDPR-related geofencing, a good faith attempt to restrict access usually goes a long way even if it's possible for a savvy user to get around the blocks.
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I ran into the site being blocked a couple of weeks ago. Changed VPN settings to a server in another country and had access without issues.
Just saying, the blocking was rather trivial to bypass.
Just saying, the blocking was rather trivial to bypass.
> If you are blocking people from reading books in the public domain […]
‘Public domain’ doesn’t exist in Germany.
‘Public domain’ doesn’t exist in Germany.
For the purposes of the discussion here, "Gemeinfreiheit" is basically the same thing.
An important caveat is that in Germany (and Austria, I think?) you can't legally dedicate a work to the public domain, but you can surrender most of your legal rights to a work. This is why international public domain dedications often include a fallback public license.
70 years after the last authors death it becomes public domain.
You cannot give up all rights voluntarily.
You cannot give up all rights voluntarily.
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I want state here on fact, the "copyright" is an rather new anglon-saxon invention and was only later imported to Germany[1]. Interestingly, the era of the "land of poets and thinkers" and the economic rise of Germany was boosted by the fact - that there were no copyrights laws which hindered. Authors had to publish good and more work.
[1] https://en.wikipedia.org/wiki/Copyright#Background
Quote from Wikipedia
Printing brought profound social changes. The rise in literacy across Europe led to a dramatic increase in the demand for reading matter. Prices of reprints were low, so publications could be bought by poorer people, creating a mass audience. In German language markets before the advent of copyright, technical materials, like popular fiction, were inexpensive and widely available; it has been suggested this contributed to Germany's industrial and economic success. After copyright law became established (in 1710 in England and Scotland, and in the 1840s in German-speaking areas) the low-price mass market vanished, and fewer, more expensive editions were published; distribution of scientific and technical information was greatly reduced.
And from the history arctile
Heinrich Heine, in a 1854 letter to his publisher, complains: "Due to the tremendously high prices you have established, I will hardly see a second edition of the book anytime soon. But you must set lower prices, dear Campe, for otherwise I really don't see why I was so lenient with my material interests."
It is not okay to claim other works as yours, publish private material or just don't give you a fair share upon your work. Probably we should have opted for another approach than "copyright" or "patents". Luckily the US at least got "Fair Use" and maybe the idea of a "Culture Flatrate" from Germany is also a good idea.
[1] https://en.wikipedia.org/wiki/Copyright#Background
Quote from Wikipedia
Printing brought profound social changes. The rise in literacy across Europe led to a dramatic increase in the demand for reading matter. Prices of reprints were low, so publications could be bought by poorer people, creating a mass audience. In German language markets before the advent of copyright, technical materials, like popular fiction, were inexpensive and widely available; it has been suggested this contributed to Germany's industrial and economic success. After copyright law became established (in 1710 in England and Scotland, and in the 1840s in German-speaking areas) the low-price mass market vanished, and fewer, more expensive editions were published; distribution of scientific and technical information was greatly reduced.
And from the history arctile
Heinrich Heine, in a 1854 letter to his publisher, complains: "Due to the tremendously high prices you have established, I will hardly see a second edition of the book anytime soon. But you must set lower prices, dear Campe, for otherwise I really don't see why I was so lenient with my material interests."
It is not okay to claim other works as yours, publish private material or just don't give you a fair share upon your work. Probably we should have opted for another approach than "copyright" or "patents". Luckily the US at least got "Fair Use" and maybe the idea of a "Culture Flatrate" from Germany is also a good idea.
Copyright is, probably, very Continental. In the late 15th century, before the arrival of the printing press to England, Venice had become the "capital of printing," and the Venetian Cabinet granted the first exclusive right to publish a particular book to Daniele Barbaro for a term of ten years. Christopher May (2002) The Venetian Moment: New Technologies, Legal Innovation and the Institutional Origins of Intellectual Property, Prometheus, 20:2, 172, DOI: 10.1080/08109020210138979. It was only later that England codified the concept of copyright.
> the "copyright" is an rather new anglon-saxon invention and was only later imported to Germany
Hmm... it's not exactly "new" if it's older than the unified German state...
Hmm... it's not exactly "new" if it's older than the unified German state...
I'm curious as to what changed PGLAF's mind. Blocking those specific works was all that the court ordered 3 years ago. Blocking everything was PGLAF's own decision based on perceived risk of further lawsuits about other works. Nothing has really changed to decrease that risk. The plaintiffs may have agreed that those are the only works they own that were in violation, and won't sue about anything else, but any other German who hold the copyright to works are still valid there but not the US still could.
Nothing, really. The other party countersued (technically appealed) because they still want to remove the works completely, even though it is pointed out that they are under US soil.
Waldorf Frommer is the lawyer firm that represents the publishing house S Fisher Verlag who brought project Gutenberg to court, WF are also notorious for mass-sending letters to supposed torrenters, threatening them with a lawsuit and asking for money ("Massenabmahnungen"). Glad that they lost. https://de.m.wikipedia.org/wiki/Frommer_Legal
Absurd that there are lawsuits from 2015 about 110 year old books.
What would have happened if Gutenberg had ignored the German court's ruling?
Does Germany have any leverage over an institution that is fully based in the US?
If so, does it mean that, as a hypothetical website owner, I need to understand and be compliant with every law in every possible country, or risk fines / imprisonment?
Does Germany have any leverage over an institution that is fully based in the US?
If so, does it mean that, as a hypothetical website owner, I need to understand and be compliant with every law in every possible country, or risk fines / imprisonment?
My understanding is it's complicated in the US, but between most other western countries there are treaties allowing foreign judgements to be enforced domestically.
>If so, does it mean that, as a hypothetical website owner, I need to understand and be compliant with every law in every possible country, or risk fines / imprisonment?
By the letter of the law, yes. The idea of a borderless internet never had specific legal standing, it's just largely a convention on non-enforcement.
>If so, does it mean that, as a hypothetical website owner, I need to understand and be compliant with every law in every possible country, or risk fines / imprisonment?
By the letter of the law, yes. The idea of a borderless internet never had specific legal standing, it's just largely a convention on non-enforcement.
The US standard is that they will only prosecute (or deport) for crimes which are also a crime in the US.
In the other hand, the standard for enforcing civil judgements is much lower.
> If so, does it mean that, as a hypothetical website owner, I need to understand and be compliant with every law in every possible country, or risk fines / imprisonment?
This has literally always been the case. Some nations have legal statutes that they will not enforce a foreign judgement against their own citizens (such as the US shield against UK libel judgements) but you're on your own if you leave your country of residence. Plenty of US newspapers still block access to the UK of stories they feel legal risk from for example, because their owners would like to go on holidays sometimes.
Extra territorial enforcement is a lot more muddy than people think, but it's never, ever been the case that you're fine if you're incorporated in a different territory. If they can demonstrate that there's a body of people in their country accessing the site, then generally you are liable. It's just if the legal system considers that to be too much of a pain to worry about.
This has literally always been the case. Some nations have legal statutes that they will not enforce a foreign judgement against their own citizens (such as the US shield against UK libel judgements) but you're on your own if you leave your country of residence. Plenty of US newspapers still block access to the UK of stories they feel legal risk from for example, because their owners would like to go on holidays sometimes.
Extra territorial enforcement is a lot more muddy than people think, but it's never, ever been the case that you're fine if you're incorporated in a different territory. If they can demonstrate that there's a body of people in their country accessing the site, then generally you are liable. It's just if the legal system considers that to be too much of a pain to worry about.
I guess maybe, iff you host content copyrighted in Germany?
Was there any general awareness in Germany the PG was blocked, and if so, did activism arise?
Or did PG block, and mainstream Germany not notice? Or did Germans just shrug and use proxies?
Personally I am a PG user but I’m not in Germany. And I’ve read several PG books. But I have also noticed that the download count for many of them is really really low, which is basically saying that PG doesn’t have a lot or actual users :(
Let’s fix this! Everyone reading this post should go download a nice book from PG and actually read it! ;)
Or did PG block, and mainstream Germany not notice? Or did Germans just shrug and use proxies?
Personally I am a PG user but I’m not in Germany. And I’ve read several PG books. But I have also noticed that the download count for many of them is really really low, which is basically saying that PG doesn’t have a lot or actual users :(
Let’s fix this! Everyone reading this post should go download a nice book from PG and actually read it! ;)
There's a German-language "Projekt Gutenberg"[1] as well, a long time maintained by the publisher Spiegel. They're the more popular project of that kind in Germany, so people probably didn't notice what Project Gutenberg was doing.
They claim some kind of edition copyright on the works as re-published by them[2] which is funny or sad, depending on how you look at it.
[1] https://www.projekt-gutenberg.org/
[2] https://www.projekt-gutenberg.org/info/texte/info.html
They claim some kind of edition copyright on the works as re-published by them[2] which is funny or sad, depending on how you look at it.
[1] https://www.projekt-gutenberg.org/
[2] https://www.projekt-gutenberg.org/info/texte/info.html
There was no general awareness AFAIK. I'm from Germany and only learnt about it when I went to their site to download a book I was interested in (back in 2019 I think), found out it was blocked, researched the reason, found out that they didn't actually have to block everything, got angry (partly at the plaintiffs, but mostly at PG for their "overcompliance"), then shrugged and downloaded the book from somewhere else. So if this overcompliance was really intended to "instrumentalize" their readers, like the plaintiffs said, then I guess they unfortunately overestimated their impact.
The news that the blocking has been removed was reported yesterday by IT news sites (e.g. https://www.heise.de/news/Literaturportal-Project-Gutenberg-...), but it wasn't exactly front page news either...
The news that the blocking has been removed was reported yesterday by IT news sites (e.g. https://www.heise.de/news/Literaturportal-Project-Gutenberg-...), but it wasn't exactly front page news either...
I had forgotten about this. Absurd it went on so long.
As it happens I'm currently reading Thomas Man's English translation of Death in Venice from Gutenberg.
That doesn't seem to be included in the embargoed texts.
As it happens I'm currently reading Thomas Man's English translation of Death in Venice from Gutenberg.
That doesn't seem to be included in the embargoed texts.
Weird how they apparently have agreed to block access to books by the three authors until the copyright expires, while one of them died in 1950 so for that person the copyright term of life+70 years, which this was all about, has already expired.
> Q: So the court thinks that the presence of content in German means that courts in Germany have jurisdiction, regardless of the fact that PGLAF is entirely in the US?
> A: Yes, that was the original basis of the claim for jurisdiction, which the Court accepted in their judgment.
ummm, what? Imagine if the UK, or US claimed jurisdiction over any website that published content in English.
ummm, what? Imagine if the UK, or US claimed jurisdiction over any website that published content in English.
That's only half the story. The court based it on the following facts:
* The website was accessible from Germany
* The website was partly translated into German
* The website offered German-language content
* The explicitly offered worldwide service ("anyone anywhere")
* There was a disclaimer directed at people not located in the US
* The website was accessible from Germany
* The website was partly translated into German
* The website offered German-language content
* The explicitly offered worldwide service ("anyone anywhere")
* There was a disclaimer directed at people not located in the US
And German-language content can only be directed at German citizens or residents? There are five other countries which have German as their official language, and many more where German is spoken. It's ridiculous that the court would consider this sufficient to grant them jurisdiction.
> The website was accessible from Germany
That's something Germany could control much more easily on its own by putting firewalls at their borders. There is no reason for the site to go out of its way to block access from Germany, even assuming that they could do so reliably, which they can't.
> The explicitly offered worldwide service ("anyone anywhere")
Just like most web sites are available to "anyone anywhere". That's how the Internet is meant to work.
> There was a disclaimer directed at people not located in the US
Which is a very large group of people, most of whom are not in or from Germany. They're seriously complaining that the site reminded people that they need to take their own local laws into account before importing content from elsewhere?
> The website was accessible from Germany
That's something Germany could control much more easily on its own by putting firewalls at their borders. There is no reason for the site to go out of its way to block access from Germany, even assuming that they could do so reliably, which they can't.
> The explicitly offered worldwide service ("anyone anywhere")
Just like most web sites are available to "anyone anywhere". That's how the Internet is meant to work.
> There was a disclaimer directed at people not located in the US
Which is a very large group of people, most of whom are not in or from Germany. They're seriously complaining that the site reminded people that they need to take their own local laws into account before importing content from elsewhere?
I'm not taking a stance, I just try to represent the argument fairly - whether one actually agrees is another thing. Misrepresenting arguments as the PGLAF does is lazy.
According to German legal rules you always have to take an overall view into account, not only to each argument on its own. In this case, whether they intended to also(!) reach German users.
Anyway, 2016 the highest German civil court ruled in accordance to precedence from the European Court of Justice that copyright infringement on websites fall under German jurisdiction as long as 1) the website is accessible from Germany without circumventing any blocks 2) it's infringing according to German law. Showing that the website operator actually intends to reach German users is no longer necessary.
According to German legal rules you always have to take an overall view into account, not only to each argument on its own. In this case, whether they intended to also(!) reach German users.
Anyway, 2016 the highest German civil court ruled in accordance to precedence from the European Court of Justice that copyright infringement on websites fall under German jurisdiction as long as 1) the website is accessible from Germany without circumventing any blocks 2) it's infringing according to German law. Showing that the website operator actually intends to reach German users is no longer necessary.
That sort of ruling reinforces the dominance of large megacorporations on the internet. A big company like Google or Amazon might be able afford to keep track of laws like that in every country, or at least countries with enough international influence, but a donation backed site like Gutenberg probably doesn't, much less a website run by a single individual.
The US has been happy to claim jurisdiction when- and wherever they damn well please
What's the status of works by Heinrich Mann, who seems to have died in 1950? Shouldn't those have entered the public domain in Germany on Jan 1, 2021? If so, will PG be making those works available to German users?
The message displayed when you try to access a blocked work https://block.pglaf.org/germany.shtml states:
The block applies to seven books by author Thomas Mann (until January 1, 2026) and five books by author Alfred Döblin (until January 1, 2028). No other Project Gutenberg eBooks, by any author, are blocked in Germany.
I can confirm that works by Heinrich Mann are accessible.
The block applies to seven books by author Thomas Mann (until January 1, 2026) and five books by author Alfred Döblin (until January 1, 2028). No other Project Gutenberg eBooks, by any author, are blocked in Germany.
I can confirm that works by Heinrich Mann are accessible.
Project Gutenburg was blocked in Germany ? news to me, weird.. especialy considering the torrents and spy action that has happened in the same 25 years, while this token effort protects companies formed in the 1950s.
Not only in Germany. Also in Italy, as of May 2020 (those hardly definable beasts that carved their way into the state made a bunch of targets associating Project Gutenberg with pirate sites).
In this case Project Gutenberg blocked German IP ranges to try to avoid legal issues (and since they wanted to make a point didn't only block the material under debate but their entire site). That overblocking approach seems to be what they changed now in favor of a targeted block of just Thomas Mann's work or whatever it is the German publishers have been complaining about.
Why would a torrent site do the same?
Why would a torrent site do the same?
When you feel you are not doing anything useful think that maybe at least you are not doing anything harmful. What an incredible waste of money and time to avoid culture distribution, their authors long ago dead.
What I'm not getting: If Project Gutenberg is US based, how can they be dragged in front of a German court at all? How could a German court enforce anything on a US based entity? So couldn'd PG's response just have been to ignore the case? What would have happened then?
Presumably, nothing could "force" them, but without cooperation they would simply be blocked forever in Germany.
It's too bad that PG is totally reader hostile. :-P It could be a great source for the readers of the world. Instead it's a bunch of unreadable text files that give "entrepreneurs" the raw material they need to put out a bunch of $1 ebooks.
PG's goal is the digitization and long-term storage of public-domain written materials, and I'm glad that's all they're doing.
I think you're looking for Standard Ebooks [0][1], which utilizes (usually) Project Gutenberg-sourced text, original-edition illustrations, and volunteer editors to create professional, free-as-in-beer ebooks.
[0] https://standardebooks.org/
[1] I tend to write, or only ever see, "eBooks", but Standard Ebooks styles it "Ebooks". That's the only thing I don't like about them, and I really really don't like it. Given my uncontroversial acceptance of the capitalization used when starting a sentence with the word "Email", I imagine I'll live.
I think you're looking for Standard Ebooks [0][1], which utilizes (usually) Project Gutenberg-sourced text, original-edition illustrations, and volunteer editors to create professional, free-as-in-beer ebooks.
[0] https://standardebooks.org/
[1] I tend to write, or only ever see, "eBooks", but Standard Ebooks styles it "Ebooks". That's the only thing I don't like about them, and I really really don't like it. Given my uncontroversial acceptance of the capitalization used when starting a sentence with the word "Email", I imagine I'll live.
Free-as-in-speech as well: each publication including SE additions like the blurb is put back into the public domain.
First: Browsing around the website, all books I could reach from the homepage or by searching for titles I could think of are available in multiple digital formats.
Second: PG is older than PDF, EPUB, MOBI, and even HTML. It isn't too surprising to me that there are works there that are text only.
Second: PG is older than PDF, EPUB, MOBI, and even HTML. It isn't too surprising to me that there are works there that are text only.
I remember reading plain text books from PG at work ~20 years ago. The network was monitored so I had to bring them in on a 3.5" floppy. Having probably read thousands of pages that way, it's a bit odd to see plain text described as "unreadable".
Lots of bizarre defenses of PG here. Look at it this way: every single person you meet has heard the phrase “Wikipedia” and probably all but the least curious have used it. How many have heard of Project Gutenberg? And why not? Are public domain books unpopular? (No, schools assign tons of public domain books in English class.) Okay, so what’s going on? Answer: Project Gutenberg has decided that making the books readable is not their job. Well okay whatever, it’s their project, but the result is a total failure to be what it could and should be: a peer to Wikipedia and a household name.
Why would you say so? I think it is really good that they offer to view the book lots of formats. And they haven't came up with their own scrolling solution, still scrolling the full book HTML is faster than any modern site.
Also, if I wanted to read a book to the full, I wouldn't have read it in their interface no matter how better they would be. So I like to quickly view text then download epub.
Also, if I wanted to read a book to the full, I wouldn't have read it in their interface no matter how better they would be. So I like to quickly view text then download epub.
What are you talking about? You can download PG books in ePub and Kindle formats directly from the site. Are you thinking of a different project?
Great!
Appropriately enough!
NoCanDo(1)
More information and Background: https://cand.pglaf.org/germany/index.html