You'll get hammered for this on HN, but the web was magical and weird with Flash around, and now it feels quite vanilla and boring. I long for the days of weird experimental art and goofy animations and bonkers UIs.
You're right to be tired of it, and of course I haven't tired these specific features yet, but Davinci was already lowering the barrier to entry for filmmakers, and if 21 works as they say it will, then you're looking at a major lowering of said barrier.
If you have baseline epistemic hygiene there's nothing wrong with using an LLM for advice.
If you have baseline epistemic hygeine you'd also recognized this as a B2B sales pitch: Axa sell group health, employee-assistance, and corporate wellbeing products.
There is a handover premium that you pay when you churn which often exceeds whatever savings you think you might find. Inertia and institutional knowledge are two of the biggest drags, not to mention morale, hidden costs recruiting fees, ramp time, and customer relationships.
It's fake bottom-line thinking that optimizes a few items while ignoring second and third-order effects.
Now, Cannes specifically – and entertainment generally – is rife with hucksters and people who started off as hucksters only to later become credible. Culture jamming is often looked back on as innovative!
But the difference between this and, say, Adbusters is that Adbusters and artists in general tend to punch up, whereas this – regardless of merit – is looked at by other artists as punching down, simply because it doesn't carry any intangibles.
And art is intangibles.
Time, culture, sweat, friction, a personal POV; art is an inherently human-to-human communication tool anyway. When you strip all of that away you lose something, in the same way a Big Mac is not the same as your mom's spaghetti.
I think that AI filmmakers, if they believe they can make films of high critical and/or or commercial success, need to avoid engaging in culture jamming and take a more honest approach. "This is my chosen medium" and then develop in public while treating the intangibles as legitimate, instead of something to be hacked around.
If we separate the hype incentives from the actual product itself, I completely understand how seductive the tech is and how it can lead to a sort of mania. I myself have been up late into the night fiddling and building.
It's like discovering fire, which offers both utility and magic: you can cook your food and gather warmth, and you can also stare into it and tell stories and never be bored. We're probably genetically wired to gravitate things which have both function and form.
That said, there's a reason the manic witch doctor was never the chief. Leadership requires discernment: when to consult the witch doctor, when to jirga with the neighboring elders, when to draw the sword.
A chief knows what happens when you cut the tribe by a third "for efficiency", or the burn seed corn to feed the fire, or replace the sentries with golems. The witch doctor often ends up boiled in his own cauldron.
I love this. Yeah there's some FUD out there about water usage and whatnot, but using the internet to spread actual awareness about local concerns is a fine demonstration of free speech at work.
If slop is more expensive to produce, maybe there will be less of it clogging up the digital commons.
"In cultural practice this process of minimal change takes two primary forms. First, we create stories and metaphors that map strange new experiences back to something we already understand."
This is quite common in creative fields as quick shorthand for a new concept. For example, in filmmaking you might introduce a new crime thriller as script as "It's like Michael Mann's Heat but set in the high finance world of *Wall Street."
Probably true for a lot of innovation programs. "It's like Reddit but for hackers"
Reminds me of old internet, when activists we doing it for The User.