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arrrg

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arrrg
·15 giorni fa·discuss
That’s not universally the case, no.

For example in Germany, splitting the bill is pretty normal, to the point where restaurants are adapted to it. Since this process adds some friction it is, however, also the case that someone will pay for everything and split afterwards (or variations on that theme).

Newer payment systems seem to have made that easier (e.g. mobile devices that allow waiters to initiate the payment for a subset of what a table had and allow for contactless payment). The older variant of that is the waiter going with you to the cash register that basically allows them to do the same bill splitting. The even older variant is the waiter breaking out paper and pencil and doing some addition (though I seem to remember waiters actually being annoyed if they had to do that, not so with the new solutions).
arrrg
·15 giorni fa·discuss
In Germany (where this happens frequently and many people expect to be able to pay separately – I don’t like it and we generally don’t handle it that way with friends, but when I’m in the restaurant with coworkers even I wouldn’t dare to stray from orthodoxy) the payment systems seem to be set up for it and enable this in a relatively frictionless way. I remember it being more complicated for everyone involved.

Basically, waiters have a list with all the items in front of them and you tell them what you had and they pick them. They can then just initiate a normal payment process and leave the rest of the table as is.

More time consuming and finicky than just someone paying everything all at once, sure, but a well worn and designed user journey you seemingly don’t have to torture those devices into making possible.

In fact, I will often be extremely apologetic when saying I want to split the bill but have noticed no eye rolls or complaints from waiters. It’s just smooth sailing. I do honestly think that was different when waiters had to do math and cross out things on bills and stuff (which I distinctly remember from my childhood/youth in the 2000s).
arrrg
·15 giorni fa·discuss
This is such a sad perspective.

The only path for workers to have leverage against capital is if they work together in solidarity. There is no other path. Unions are a path towards achieving that.

Doing a job at a lower wage is giving up leverage and nonsensical on its face. But makes sense that this capital perspective is taken here …
arrrg
·16 giorni fa·discuss
It‘s the exact opposite of selfish. It’s solidarity and efforts to denigrate solidarity and lift up stories about selfishness as the only important thing are the thing that keeps unions down.

Workers working together in solidarity is the right approach to get more power in the lopsided power dynamic between owners and workers. Owners have too much power, workers too little. Solidarity is a path towards fixing that.
arrrg
·17 giorni fa·discuss
The current admin has been embarrassingly bad at wielding the awesome powers of the US in a meaningful way.

Of course the US are the all-powerful juggernaut with many levers to pull to use their power. Winning battles is easy. Winning the metaphorical war is harder.
arrrg
·22 giorni fa·discuss
That’s wrong. Wearing headphones is not banned. Isolating yourself to a degree where you cannot hear warning signals (emergency vehicles, car horns) is (10 € fine), though that’s not the same as being able to hear all traffic sounds (which would be non-sensical, given that cars are and have been for a very long time quite sound isolating. Horns and emergency vehicles are two of the only things that really get through.)

In practice this means that police won’t do anything about people wearing headphones. Wearing them is totally fine. However, if you get into an accident you might get a larger part of the blame if it’s determined that you not hearing so well contributed to the accident. (The rules of the road do have a general clause that you need to pay sufficient attention – so anything distracting might get you to shoulder more of a blame in case of an accident, even if it isn’t explicitly banned. Use common sense …)

As I said, cars are inherently quite isolating, so car-centric maniacs better try not to legislate my right to wear headphones while riding the bike aways while they sit in their sound dampened boxes, casually overtaking me with too little distance.

(I strongly suggest to never turn on noise isolation while riding the human powered kind of bike and I also recommend either turning on the pass-through mode or just putting in the earphone on the side away from the road.)
arrrg
·24 giorni fa·discuss
At least with social networks the network effect is a powerful force. Foregrounding regulatory burden in that context is nonsensical. (That does not apply in the same way to models.)
arrrg
·25 giorni fa·discuss
It seems to me that demonstrated leverage actually is different from theoretical leverage. I do think that is a crucial difference.
arrrg
·28 giorni fa·discuss
Machines aren’t humans. Your first have to argue that an analogy between machine and human even makes any kind of sense.

That‘s the magic trick you are doing with your analogy. You just assume that human/machine analogy is true.
arrrg
·mese scorso·discuss
That doesn’t make sense. In the medium term this will strengthen efforts in China, Japan, India and the EU to move away from fossil fuel dependence much more quickly.
arrrg
·2 mesi fa·discuss
It is interesting to consider what we talk about when we talk about whether an image was photoshopped because I do actually think that is a fuzzy line and different people may think of different things.

I always assumed this discussion was about exceedingly crass color shifts, the removal or creation of elements not in the original image, not some dodging and cropping.
arrrg
·2 mesi fa·discuss
I’m a bit confused about the claim that the image was altered.

Sometimes skies look like that and grass looks like that and (the right) film is more than capable of capturing that with the appropriate saturation. Especially Velvia. Velvia is probably even cranking up the saturation, to levels you would not see like that with the naked eye.

Here is a landscape photographer showing their own favorite Velvia photographs: https://www.macfilos.com/2022/12/02/vivid-velvia-ten-fujifil...

Look at that first Tuscany image. The colors are a near perfect match. With the others the colors - especially the greens – can also be a lot more muted, however that seems to be down to darker greens as a starting point and also the light/weather (less saturation when it’s overcast and there is no direct light).

On close examination of the wallpaper (to a level of detail not visible on early 2000s screens) also shows all the hallmarks of a real photograph with remarkably little retouching.

On the left and especially the right you can see ugly clutter behind the hills which is only not distracting if you don’t examine the photo to closely. Anyone who photographs landscapes knows the issue of hard to hide clutter that nevertheless from my perspective also grounds the photograph in the real world.

Also clearly visible on the hills: tracks/paths through the hills. This is also something hard to avoid in landscape photography, though you try to minimize it with perspective. The same applies as to the clutter: my view is that this grounds the photograph as an actual photo.

Third hallmark of photography: the foreground grass is all out of focus! This is often hard to avoid. Techniques like focus stacking now exist, but as a single photograph that is often a trade off you have to make if your landscape shows both things close by and far away.

So, yeah, looks 100% like a real photograph and shows what a look Velvia is, mostly.
arrrg
·2 mesi fa·discuss
Dresden is truly blessed with cinemas and has four European Network cinemas. Three of those have assigned seating, though none do price discrimination based on where you sit. Culturally the assigned seating isn’t taken very seriously in those four cinemas, though, to the point where staff in one cinema sometimes tells visitors that they can sit somewhere else if they want to. In practice we still try to get seats where we want to sit and stick to them (front/middle, away from other people), though if people come in and sit right behind us we might change rows.

With new ticketing systems and online booking being introduced I think there has been a shift towards assigned seating. I remember the first time I was in a Dresden European Network cinema (Schauburg in 2015, that’s the oldest cinema in Dresden, 1927) and there either being no assigned seating or a seat printed on the ticket that no one cared about. We also weren’t asked where we wanted to sit. That has changed with a new ticketing system and now we are always asked about where we want to sit.

I think these ticketing systems come with assigned seating and that’s also a factor in assigned seating being introduced.

Notably, the one cinema that doesn’t have assigned seating also doesn’t offer online booking or reservations at all.

The four big multiplex cinemas in the city have assigned seating and do price discrimination based on where you sit – so it’s taken somewhat more seriously there.

So, yeah, my guess would be that the role online ticketing and the respective software/service/devices those cinemas use for that do all play a role in what role assigned seating plays and those can also trigger a cultural shift from sit where you want to assigned seating. (I have vivid childhood memories of my hometown long before online booking with price discrimination sections but no assigned seating in cinemas.)
arrrg
·2 mesi fa·discuss
If Elon Musk did this because he wanted to (not make a statement, just to achieve some other goal he has) then that‘s not really art. If he did it to make a statement about how different rules apply to billionaires and he wanted to point that out then that to me would be an interesting artistic expression, sure (though he probably wouldn’t do that).

For well more than a century artists like Duchamp (e.g. Fountain from 1917) have been playing around with what turns something into art and makes it valued and where then line between art/not art is and what that has to do with explicit and implicit rules.

To me graffiti in its contemporary form in general but also specifically Banksy is a pretty natural continuation from that discourse that fits right in. That to me has always been the additional layer to any work by Banksy, whatever other (often obvious) statement the artwork might make.
arrrg
·2 mesi fa·discuss
Just goes to show the power of his art. I don’t find that bit the least bit surprising but this inconsistency always has been at the heart of his art for me and to a large extent also what his work is about.
arrrg
·2 mesi fa·discuss
Yeah, and that is precisely the point.

This contradiction at the heart of it does a lot of work and is a very valuable part of the art. This contradiction has led me to think a lot about rules and their role in society and to what extent pure strict rules based societies are a worthwhile goal and on the other hand what it means of we make exceptions.
arrrg
·2 mesi fa·discuss
What evidence is this claim based on?
arrrg
·3 mesi fa·discuss
I‘m a bit confused by your statement. In Afghanistan a NATO coalition fought in the war. 456 British, 301 French, 158 Canadian and 54 German soldiers died.

Besides that I’m really unsure why you think that more military power would have helped. I really do believe that in a general sense this is true: since WWII the US has won every battle but lost every war. And that’s not down to an inability to be tactically extremely successful. It‘s down to taking on war aims that are impossible to achieve or at least extremely difficult and (most notably currently) being strategically totally lost.
arrrg
·3 mesi fa·discuss
The amount of suffering the regime in Iran and the US administration are willing to accept and can bear is probably wildly disproportionate and much higher on the side of Iran.

That also substantially weakens any leverage the US has.

A mere slight increase in gas prices and slight threat to the economy can already substantially weaken US will to fight …
arrrg
·3 mesi fa·discuss
Doxxing (and the moral judgements attached to it) is a relatively new and not widespread concept.

You can’t just say “but this is doxxing” and expect people to know what you are talking about and also attach the same negative label to it as you do the same way you would when you call out murder or theft.

I personally don’t find “doxxing” that useful as a concept and as a guidepost to what I consider ethical or not. People who use the concept tend to be extremely zealous with at, to a point where anything identifying anyone is doxxing (and doxxing is to those people self-evidently unethical) and that just doesn’t seem useful or practical to me at all.

As to this particular case: if you create something as corrosive, destructive and powerful as Bitcoin society should know you. You don’t get to hide in anonymity at all.