When mixing, a 6db boost or cut is massive. 0.5 to 3db edits to tracks are quite common, if they're for stylistic reasons and not just low or high cuts.
0.3db fader adjustments are absolutely a thing.
A common mistake is also putting something like a compressor or EQ on a track and fooling yourself that it sounds "better" in an A/B because you accidentally boosted the gain (by less than a dB) because the makeup doesn't quite match the reduction. And it's hard to fight the psychological effect of subtly louder being an improvement.
Similarly, I have a 2026 Civic: the driver attention doesn't have a camera and ships disabled. Lane departure warnings are toggleable in settings, and it sticks between starts. This is different from lane keeping assist, which is part of the adaptive cruise control and fully steers for you. (Both steering and speed and controlled from buttons on the wheel.)
Climate controls are fully physical controls, but realistically I just leave it on Auto, because it's the 21st century.
The hybrid drive train also makes it feel like an electric car, and it makes older vehicles look like a joke.
> I've heard plenty of stories of victims of theft and crime literally leading police to the door of their assailant and they can't get any action because this "privacy" movement has made their efforts pretty meaningless.
So the police are useless when given a precise location, and you want to give them more invasive tools to continue to be useless? That's not the argument you think it is.
If someone steals my car, I can open an app and find its precise geolocation better than some cameras, and deliver that information to the police of my own choice. (Ideally, the car company would be legally prohibited from sharing that information with any other party.)
"Monitor the movements of everyone in case of the minute chance of car theft and astronomical chance of the police caring" is patently absurd. We probably need cameras in bathrooms too, in case someone passes out and needs medical attention.
Exactly. I don't want to mess with anything, I want an appliance that plays games. I don't want it to do anything other than that either. It must work every time, with every supported game, and have no manual maintenance.
Consoles are also just generally more ergonomic for normal adults: they're built so you can inhabit your primary living space, around other people, on a couch, instead of being a bedroom-dweller sitting at a desk.
Arguably someone who is faster is more likely to just be recalling memorized things faster, while someone who's slower may have a deeper understanding but needs time to actually think it through.
Memorization is already hacking the rules of the game that's supposed to be gauging understanding. An ideal test is resistant to rote memorization as well as outright cheating.
It's news to me that they weren't already. My exams were all in person and on paper in the early 2020s, and even my physics homework was a "do it on engineering paper and drop it in a mail slot" affair. The professors would forbid computers and phones during lectures and would stop to shame anyone who thought they were being sneaky.
Computer Science classes were all on paper for exams, and low level ones did the old "here's a Javadoc, write some code with a pencil."
The only online exams I had were for 100 level electives.
"You can own a printing press, but we'll throw you in jail if you dare to show the printings to anyone."
The first amendment is a two way street. Everyone has an inalienable right to seek and read/view any media, and the government of the United States is forbidden from taking any actions that limit the mass dissemination of media.
The whole context of the amendment is existing governments preventing people from mass printing and distributing political pamphlets. "You can write something, but not distribute it" is entirely antithetical to the point of the amendment.
1. Don't assume Meta is anything other than a state propaganda and surveillance apparatus.
2. It's onerous for upstarts, so it entrenches Instagram and Facebook.
3. Guaranteed knowledge of who everyone is, and their web browsing activities, furthers their surveillance ends.
4. If you keep people off until they're adults and then throw them in with no guidance, they'll have an even worse time. Which is good for propagandizing.
5. They get to collect biometrics from everyone, even the underaged ones who attempt verification. All the better to build panopticon, along side Clearview and Flock.
6. The Heritage Foundation wants it, and everything else on Project 2025 has been proceeding as planned with lackluster resistance, so why would this be different? (Spoiler: the next part is calling everything they don't like, such as LGBT people being visible or alive, as "harmful" and using these new surveillance tools to deal with that.)
Macs have two possible ways. If you have key repeat enabled, option+shift+dash. Some newer Mac users may have the mode on where holding a key pops up an iOS-style bubble of alternate options, in which case they will just hold hyphen.
> I don't understand why we suddenly think that's the end of civilization.
Because they've been told to think it by the combined forces of Meta and the Heritage Project. They spelled it all out in Project 2025, a check list which has been followed nearly to the letter. They're also rampaging through libraries and trying to keep books of the shelves.
Conservatives don't like porn, because controlling sexuality is part of the cult playbook to control people. (Addendum: they don't like other people having it. They're hypocrites, of course.) They also want to, while instituting a backdoor ban on porn, define everything else they don't like as pornography. Project 2025 repeatedly uses the term "pornographic" as a synonym for for LGBT issues and other things.
The goal, after de-anonymizing the Internet, is specifically to control access to information and entrench their fascist Overton window shift.
They're really sore that many Millennials and Gen Z had the internet as an escape hatch from local, abusive churchy bubbles and want that locked down going forward.
They still are. Any PS5 will play PS4 games. The PS5 Pro is a mid cycle spec bump that allows some newer games to have slightly better graphics. The games are still hard required to function within the expectations already set for the first PS5 model. I played Ghost of Yotei just fine on a non-Pro, and it targets the newer model.
We're also nearing PS6 time in the next year or two. It's already six years old.
More people own cars than houses. I live in an apartment, and the only ways I'd be able to charge an electric car are expensive charging stations or plugging in an extension cord, leaving a sliding door cracked all night and hoping the property's management doesn't throw a fit, pets don't sneak out, somebody doesn't break in, etc.
That's how I use Spotify. I make playlists of music I listen to frequently, separated by genre. If I want to play a whole album, I click through for one of those favorites or search for it. Mostly I find music via YouTube and then search for what I specifically want to add, or I look for user-curated playlists.
I've been doing that since Spotify launched in the US, and I'm mystified by people somehow using it differently and letting algorithmic picks determine what they listen to.
They did that back in the reel to reel tape days too...it was just destructive. Songs could have tons of layers, but they had to bounce tracks down to stay within track limits for the final mix.
Queen's music is a massive pile of overdubs, especially for vocals and guitar. The Beatles also, and they were heavily into looping (physically cutting audio tape and gluing it in a loop, then re-recording it). Vocal and guitar double-tracking has also been the norm since the 50s, at least.
80s pop was also generally full of synthesizer stacks, where MIDI from one keyboard was simultaneously triggering several synths to create layers.
0.3db fader adjustments are absolutely a thing.
A common mistake is also putting something like a compressor or EQ on a track and fooling yourself that it sounds "better" in an A/B because you accidentally boosted the gain (by less than a dB) because the makeup doesn't quite match the reduction. And it's hard to fight the psychological effect of subtly louder being an improvement.