I’ve tried _so_ many different desktop workflows (including writing two custom window managers!), and I’ve finally settled for the exact same workflow - F
-keys bound to my most common apps, all fullscreened. It becomes muscle memory within two weeks, and it’s faster than anything else I’ve tried by a mile. I use Thor for MacOS if anyone wants to replicate it, it’s a no-fuss version of the author’s setup.
If I ever do need to see two things side-by-side, I’ve also got Rectangle for window positioning. A single cmd+caps lock+H/J/K/L for left-half/restore/maximise/right-half is all I’ve found is necessary.
I've fallen all the way down this rabbit hole - from a full-size to a 60% to an ergodox to a CRKBD (36 key split) - and come all the way out again, settling with a chiclet standard qwerty (Apple wireless keyboard).
I think the central hypothesis of using these keyboards is flawed. It seems to all centre around thinking that less movement is better, and that keeping as close to the home row as possible is king, even if that means chording, contorting your hands to reach far keys, and over-relying on your weak pinky fingers.
Human bodies are meant to move. I've found that since I've started dancing over keyboard more with my fingers (a sort of advanced hunt-and-peck using all fingers but the pinky), combined with using a low profile keyboard, my hand pain has disappeared, and I'm at my fastest WPM yet (105). YMMV of course, but it's worth considering if you're peering into the rabbit hole.
This book actually gets quite a lot of hate on HN as parts of it have been debunked (or are at least heavily argued about): https://guzey.com/books/why-we-sleep/
Heh, first time I’ve seen this. I’m of the opinion that as long as you’re not using something wildly out of place like papyrus or comic sans in a professional setting, it’s not hugely impactful what font you choose. You can spend hours comparing the subtle differences between helvetica and ariel but does it really make a difference?
Also unrelated but the shocked dude in the last pane looks way too much like Elon Musk for my liking.
Typography, to me, is one of those things that’s simultaneously incredibly boring and completely fascinating. On the one hand, it’s something you experience (whether consciously or not) for a large part of your day, and each font you read in your day has been meticulously chosen for all the supposed qualities it gives off. But on the other hand - it’s just a bloody font.
If I ever do need to see two things side-by-side, I’ve also got Rectangle for window positioning. A single cmd+caps lock+H/J/K/L for left-half/restore/maximise/right-half is all I’ve found is necessary.