Oh right, I didn’t know that! I still don’t imagine that’s what is happening in this case; there are just plenty more feminine nouns in Nynorsk and similar dialects.
I don’t think it’s anything to do with case, just that the gender of the word is different between the dialects. ‘en’ or ‘a’ is just a suffix meaning ‘the’.
I don’t think it’s a ridiculous point, especially taken with the other elements mentioned. There wouldn’t be that much to the artists you mentioned if their lyrics were also banal, and they were deemed artificial or derivative. It’s a good idea to rely on a constraint of simplicity in some aspects, it’s just a problem when applied to everything at once.
Annoyingly, they were also unwilling to refund me when I wasn’t able to even start to download a game I’d bought for over a week, due to a faulty console update patch. After over a week of back and forth emails (pointing out that I hadn’t yet lost my right of refund), they fixed the issue.
You certainly find this kind of thing in numerous beginner books, but I’m skeptical that it’d be of much use for complex scores, or for someone with mastery of sight-reading. We don’t tend to do the same for text, after all. That said, it is easy enough to miss a dynamic marking and plough through a section at the wrong volume. That one might be worthwhile!
Not really. 2 crucial differences: first, it’s the degree of the scale (I, ii, III…) that’s given a colour rather than the note name (C, D, E…), meaning the colouring is independent of the key (or octave) it is written in or transposed into. Secondly, the colours used are designed to be similar where their harmonic ‘meaning’ is similar (according to traditional Western music) and vice versa.