Anecdata: Every time over the years that my parents (now in their 70s) have purchased a new mac, software updates only ever happen if I run them.
I don't visit all the time. They run outdated versions of everything until I hear "we need to buy a new mac because we can't use this website for some administrative thing", which is caused by not updating the os and the browser becoming unsupported over time.
Also account for i.e musicians (I hear there's a few of them in Apple-land) who seem to keep getting bitten by Apple somehow breaking compatibility with a bunch of audio software/equipment even with developer release, time and time again.
> But some sneaky, cowardly bastards sucker-punch you with their dickbars only after you have started reading, and begin to scroll down the page.
Yeah, about that, news websites who want to sell me a subscription. I appreciate what you are trying to do, but can you please wait until I've read at least one or two sentences (let alone the short preview of your paywalled articles) BEFORE you dickoverslap me to consider subscribing?
By the time the thing comes up, I haven't even been able to tell whether your writer can form a coherent sentence. "Subscribe PLZ" at that point will make sure I barely even consider staying for the rest of it.
Dammit. I got an IdeaPad of similar price in december 2024. It didn't have one of the fancier displays from the era but still a decent option, it has 16Gb and I thought I'd try a Ryzen mobile thing that time. Wish I'd gone for the Thinkpad E series had I known about it then : that lower-end IdeaPad feels like trash.
SSD IO is sluggish, fans always spin when plugged in, audio crackles if I so much as scroll a page while a youtube video is playing, the keyboard might be the worst I've touched in many, many years, the 3.5mm audio jack wore out into intermittent connectivity within a couple of months. At least the display still looks good.
Went through the windows optimization motions with it too. My x230 with an i5 still has lower and more stable DPC latency and has remained my DJ laptop.
Heh, haven't heard of this but as a frenchie who sometimes hears swedes over the internet, I find that the permanent snus makes it sound like the person can't stop keeping some gum in their mouth, refilling mid-sentence because they really, really can't help it and it's more important than your interaction.
And so, having grown up hearing "audible gum chewing is rude", that sometimes feels rude to me. And it's not even in person!
In an interesting twist of fate, one of the master copyists featured prominently in the Scener section of that site has come back in the last few years to win graphics competitions again with both
- directly ripping newer, lesser known artists instead of the classic Vallejo/Sorayama from the 90s. https://ibb.co/GpDVf2r
- switching to midjourney from ~2023 to now, so the sources are near untraceable (this was also supposedly leaked).
It still takes some talent to do a good looking copy, but it's not the same talent - and very dishonest when such literal use of reference is not credited.
In fact it's been an issue in the 16bit demoscene with graphics (standalone and in demos) suddenly getting more plentiful, with subjects constructed and lit a lot better, etc. and people being called out for suspicious works (and usually getting away with it, "because the whole point was to support our insane image compression code with a ton of images" etc.)
Well that's a pompous headline from the author's PR dept. "Europe" as in, "The European Union", or just some marketing trick based on making you believe it is to give it more weight?
I'm european and can still easily confuse the "European Union" and "Europe the general area" when context is lacking, it's not a big stretch of the imagination for me that people _anywhere_ could construe this as "official" as well.
All that it looks like is backed by some emanation from the city of The Hague. No mention of the EU proper. It's european owned and backed, sure, but not EU owned and backed.
It doesn't. I "worked around" that by setting a 5 minute daily timer for youtube on my phone - just enough to mark a few regular videos as "Watch Later". Gives me an incentive to scroll past the shorts.
I have this on my backlog of Jams to go through, but peeked ahead hoping to see Alekswithak in there, and indeed, it's him.
He's already scored a few great SP mods : Alkaline, Dwell, Dwell 2 - which should also be checked out - and some of his tracks have been featured in various map jams as well.
He hasn't published the soundtrack for QBJ3 yet, but I assume he will eventually. Until then, enjoy the rest at https://alekswithak.bandcamp.com/
Pioneer DJ, I mean AlphaTheta, probably don't even know MusicBrainz exists. They're too busy selling subscriptions for RekordBox. And they do nothing to help you with the metadata on your files, besides filtering in browser mode.
I can relate to the problem of revising genre or energy ratings over time. I've gone with custom genre tags for ages, ie "dub/house/techno" or "funk/disco/edits" with a sprinkling of extra qualifiers in the comment field and do bulk updates from MP3Tag/Foobar2k. The extras only really help when preparing "crates" for export to USB for outside use, or when just playing off the entire collection at home. I'm fast, but still not much time to read the comment fields when browsing on the players, much less input any words with the scroll wheel.
I keep every purchase around in FLAC, and the part I might realistically play out stays in AIFF, for minimum fiddling of tags (ie stars map a bit differently between Traktor and Rekordbox) - because of course Rekordbox will warn you you're exporting files you can't play anywhere, but won't do anything to transcode them.
Lossless whenever possible because I just want to give the sound quality as much of a chance as I can when recording sets, especially if they might get posted online and getting lossy-transcoded multiple times. I've tried the mp3 of mp3 thing, and you do hear it at home (out at a gig, most of the time, probably not).
I don't suffer from track bulimia, so the numbers work out - and disk space has gotten a lot cheaper in the last 20 years.
Most of the CDs we burned at home in the 1998-2005 era were still good in recent years, some DVDs in there too. Luck, I guess. No delamination or rot. Really, my main problems were figuring out file types without extentions (burned on classic Mac OS) and... appropriate programs to open them (old Painter limited edition from 1998 needs... the same thing, pretty much).
OTOH, some 12 years ago I worked IT at a newspaper and we were moving offices. The archivist got an intern in a room in our section of the building and together they spent a month or two scanning, then committing whatever physical media to burned CDs (maybe DVDs) before chucking the former to the bin.
Maybe a year after the move, a ticket was opened and I went to check the disks. None of them worked, CRC failures all over. I don't think they even considered testing them, or burning duplicates, or maybe they used a really bad drive which would produce media unreadable by anything else - although I'm only aware that this is a thing with floppies for example.
> The best way to experience this is at one of the top festivals. The second best way is at a club.
I would respectfully disagree and swap these, unless the festival is something like Freerotation. Festivals tend to bring out the more consumer friendly, hands-in-the-air side, and more often than not, force everyone to condense their sets, losing a lot of the "storytelling", risk-taking and deeper cuts.
What remains of techno has largely rotted in the last 5+ years due to the high-visibility, high octane arms race "business techno" festival energy, for example.
Someone in a past thread here mentioned how they enjoyed the help of LLMs to generate all their PR marketing nonsense blurbs, because they looked just as good as the real thing.
It might have been 2-3 years ago but I still joke about this with coworkers when the conversations shift to "AI".
- "good job on the acquisition and maintaining some kind of product" - how many of these are users?
- "this is now dead and completely useless to me, I am switching to something FLOSS this instant" - I'm betting v2-decayed-for-a-couple-years still beats GIMP/Inkscape from the future in at least UX for example, and it certainly does now)
- some "it's all a scheme for AI training" which would be more of what I'd expect, although for the time being, appears to be FUD when it comes to local files (surely Lord Vader will change the terms further as well)
For me it took a bit of self-discipline watching the video announcement first, before checking any comments anywhere.
I'm glad I got my v2 licences a few years ago, they've allowed me to dabble in graphics again without losing my mind to other even more affortable products. The strings that come attached with this and the potential lack of options for some workflows later down the line bother me. Just hoping v2 doesn't get too much more unstable with time.