Few questions:
- Were you soloing the entire thing? What about ops/research/market analysis? What about the design?
- Did you think about it as product-first or technology-first? Other words, did you build a solution for scoped audio mgmt, or a music player for kids?
- What's your tests status? Full coverage? CI/CD?
- How did you approach the entire legal aspect? Single lawyer? Self? Not at all?
Yeah, let's just generate new stuff from old stuff. Recycled art would surely save us. Only we're not sure from what. This is like a monument to mourn all dead NFTs.
> Another piece that worked better than expected was the telephone operator. Roger was keen to illustrate the personal disconnect of being on the road. We were in L.A. at Producer’s Workshop so I phoned my neighbour, Chris Fitzmorris in London. He had the keys to my flat and I asked him to go there and said that I would call him through an operator. “No matter how many times I call”, I said, “just pick up the phone, say ‘Hello’, let the operator speak and then hang up”. I placed a telephone in a soundproof area, got on to an extension phone and started recording to ¼” tape. It took a couple of operators – the first 2 were a bit abrupt, but the 3rd was perfect. I told her that I wanted to make a collect call to Mrs. Floyd. “Who’s calling?” she asked. “Mr. Floyd”, I replied. Chris’s timing was terrific, over and over he would hang up just at the right moment and she became genuinely concerned. “Is there supposed to be someone there besides your wife?” I was playing her along saying things like “No! I don’t know who that is!” “What’s going on?” and she would try the call again. Unwittingly, she was helping to tell the story. Afterwards I went through the ¼” and edited my voice out, just leaving her and Chris. I sometimes wonder if she ever heard herself on the record.