according to this video [0] the frequency was 84.2. that-s not unplausible.
a known problem in cutting vinyl records are sudden bursts of high volume frequencies around 100 hz, that have the potential to make the needle skip with a normal amount of weight on the tone-arm.
i don-t think so. the stage direction before that dialogue is:
(ROS and GUIL ponder. Each reluctant to speak first.)
if the dialogue should be clearly about who speaks first, wouldn-t the stage direction have been something like:
(ROS and GUIL ponder. Each reluctant to speak first. ROS tries to say something but does not) ?
i mean - you could play it like that. But then to me some of the beauty of that dialogue is lost, that comes from the fact that for the spectator it-s not clear what is the subject of it.
n 1978, at the University of London, the Physicist David T. Kemp made an unusual discovery. Kemp noticed that faint sounds, known as Otoacoustic emissions (OAEs), revealed the existence of the cochlear amplifier, a mechanism responsible for sound sensitivity and frequency resolution. This discovery proved that the ear is an active rather than passive organ. Following this discovery the experimental music world embraced these findings by incorporating them into sound works.
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