And yes, I agree. Im on my second read through now. The first time I skipped the first ~50 end notes. I thought the creator of infinite jest was a mystery, same with Joelles deformity (“was she really mangled or not— maybe we find out at the end!”). Oh, those two things are spelled out clearly in early end notes..
Any DFW fans here want to conjecture as to what “atemporal” jazz Pemulis listens to? I was thinking maybe some albert manglesdorf or perhaps ornette coleman..
Here’s one difference I have seen. I forgot I had a multi-session audio probe running while trying to repro audio glitches, and Fable came back with: “your pops are already on tape.”
Interesting choice of words. Phrased so casually. It picked a low-tech idiom that fit the situation instead of giving some sterile technical answer. That kind of language and context awareness never happened for me with Opus, or gpt 5.5.
You’re not kidding. I ran out of Fable tokens a couple days ago, loaded up $70 just to finish the task we were working on, and burned through it in about 15 minutes.
Yes, I’ve noticed the same thing recently. Yesterday I burned through four 5-hour usage-limit resets in roughly four hours of wall-clock time. Same workflow, but it feels like I’m getting about half the mileage now, maybe even less.
When I use a camera with an optical viewfinder, I feel more connected to my subject. Sure all the modern pro cameras are using EVFs now, and their performance is excellent, but I do think it’s a more disconnected shooting experience.
Think about the optical chain.
EVF: Subject —-> real time digital processor —-> screen —-> shooters eye
OVF: subject —-> mirror/glass —-> shooters eye
My hipster take is that makes shooting with an OVF a more “pure” experience. Not that it matters from the subjects POV though..
Seems like a cool camera. I think I will pick one up for my daughter.
Whats even less convenient is opening up Spotify on a road trip to listen to some Sum 41, and finding out most of their catalog has been removed.
I agree that CDs have too much friction though. Theres no easy pathway from “I like this album” to listening in the car/stereo. Especially for someone who is constantly discovering music and keeping up with new releases from artists.
First of all, not all releases are even available on CD. Even if they were, I would be spending thousands of dollars per month for the amount of music I listen to. Not to mention the lead time from ordering CDs which could take a couple weeks or more to arrive. And then I can’t even listen in my new car anyway cause there’s no CD drive.
I like hi-res lossless audio files. I can load them up on a USB and plug it into the car. I don’t have to mess around with Bluetooth at all. It’s easier to get the music too. And it sounds better. And it can’t be taken away. And is cross platform. And its free!
Btw I like supporting artists, especially the less popular ones. If I like your stuff, Ill buy some merch. But thats after I have the music.
Im building some music playback software and am currently struggling with the implementation of a spectrum analyzer to visualize the music.
This is incredible stuff and I learned a lot. Well done sir.
Ps, also mourning the loss of Fable! It sorted out a 3 month bug hunt odyssey in 3 days. For a somewhat novel problem in a pretty niche area (DSD DoP audio crackle problems during certain playback edge cases).
Say im talking to someone about a project I’m working on. When I mention AI was involved, the whole project is reframed in their head to be lesser in some way. All of a sudden “AI” is the project. They write off the human element.
They dont understand its about the idea. The project viability relies on the ability of identifying a problem and brainstorming a novel way of solving it. Thats the hard part. LLMs let me execute my brain plan. The coding aspect has been democratized to non-coders.
Perhaps adolescents were attracted to this content as a reaction to the sanitized upbringing in western culture. In my experience, these sites were compelling because they showed what was "beyond the veil". Teenage me was invincible, my own death unthinkable, so exposing myself to this content was almost a rebellious reactionary activity.
Now the current crop of curious teens are watching drone drops and soldier suicide compilations. Trench clearing, close combat. Executing surrendering soldiers. Industrialized trench warfare in high def. Yeah its brutal. What was beyond the veil is not something nice to be discovered. It hurts us to watch it. It hurts me, but maybe its supposed to hurt. Hollywood has proven to be laughably unrealistic. Almost any movie with violence is. Maybe the silver lining to watching war in HD, and by extension rotten et all, is a natural aversion to hollywood bullshit.. Surely that's got to count for something.
> I awoke and heard an attenuated trumpet sound, and through the rush I heard two voices nearby. Just as I finished struggling to get control of my body, I distinctly remember hearing one of them say, "I can see it!"
Sounds like the Geoff Day scene in Infinite Jest ... the sound resonance of a window fan and a violin opens a portal and something Lovecraftian comes through: "a small part of the wing of something far too large to be seen in totality."
And yes, I agree. Im on my second read through now. The first time I skipped the first ~50 end notes. I thought the creator of infinite jest was a mystery, same with Joelles deformity (“was she really mangled or not— maybe we find out at the end!”). Oh, those two things are spelled out clearly in early end notes..
Any DFW fans here want to conjecture as to what “atemporal” jazz Pemulis listens to? I was thinking maybe some albert manglesdorf or perhaps ornette coleman..