DSP works better at a higher sample rates, for obvious reasons, so in a music studio higher is better. Music software will often apply 4x or more oversampling when run at 44.1k which is degrading in the time domain even if the result is better than no oversampling, so recording at high rates avoids that.
Using it as a consumer is pointless, you cant hear those frequencies at all. Adults typically cant even hear up to nyqust at 44.1k. If youre a big music fan youve probably ruined your ears so good luck hearing anything above like 15k tbh.
16 bit was a compromise to do with wanting to keep CDs from being the size of dinner plates, 24 bit is legitimately better, but you're not going to notice with typical music.
i was worried i was going to go back and look at the docs and see numerous glaring advisories that I'd ignored, having opted instead to read blatantly out of date pages, but no, apart from a few vague parenthetical warnings the docs all talk about building and working with ACIs and the appc spec.
ive spent the last week learning about containers via rkt, having deliberately avoided the docker hype for the last few years.
ive mostly ported my setup to rkt, using acis because thats what all the rkt docs talk about. ive invested time into the 3rd party dgr build tool, which works really well and is based on acis, and cant be easily ported to oci. ive set up CI, deployment etc. now it turns out ive misunderstood the situation and im going to have to throw it all away at some point soon.
this is basically why i didnt bother picking up docker before. or is it moby now? yeah.
should have just stuck with openvz, vagrant and shell scripts, theyve worked fine for the best part of a decade.
this sounds like an absolutely enormous pain in the arse (cognitive overhead if you prefer.) what, specifically, is the bigger pain in the arse out there that one needs all this in order to avoid? it must be pretty awful.
also, what happens down the line when you suddenly need a service which is contingent on the data stored in multiple other services? do you add another synchronisation layer over the top?
Using it as a consumer is pointless, you cant hear those frequencies at all. Adults typically cant even hear up to nyqust at 44.1k. If youre a big music fan youve probably ruined your ears so good luck hearing anything above like 15k tbh.
16 bit was a compromise to do with wanting to keep CDs from being the size of dinner plates, 24 bit is legitimately better, but you're not going to notice with typical music.