"remix culture" required skill and talent. Not everyone could be Girl Talk or make The Grey Album or Wugazi. The artists creating those projects clearly have hundreds if not thousands of hours of practice differentiating them from someone who just started pasting MP3s together in a DAW yesterday.
If this is "just another tool" then my question is: does the output of someone who has used this tool for one thousand hours display a meaningful difference in quality to someone who just picked it up?
I have not seen any evidence that it does.
Another idea: What the pro generative AI crowd doesn't seem to understand is that good art is not about _execution_ it's about _making deliberate choices_. While a master painter or guitarist may indeed pull off incredible technical feats, their execution is not the art in and of itself, it is widening the amount of choices they can make. The more and more generative AI steps into the role of making these choices ironically the more useless it becomes.
And lastly: I've never met anyone who has spent significant time creating art react to generative AI as anything more than a toy.
Arguably Elm takes this approach to SPA development. The language spec itself is general purpose but in practice it's been developed to serve a narrow purpose (too narrow for some!)