I disagree. There are some new (sub-) genres and great games since that period.
* Roguelites have proliferated: Hades is the most obvious example, but there are a variety of sub-genres at this point.
* Vampire Survivors (itself a roguelite) spawned survivors-likes. Megabonk is currently pretty popular.
* Slay the Spire kicked off a wave of strategy roguelites.
* There are "cozy" games like Unpacking.
* I don't recall survival games like Subnautica or Don't Starve being much of a thing in the PS2 era.
* There are automation games like Factorio and Satisfactory.
* Casual mobile games are _huge_.
* There are more experimental games, sometimes in established genres, like Inscription, Undertale, or Baba Is You.
Not to mention that new games in existing genres can be great. Hollow Knight is a good example. Metroidvanias were established by the SNES and PS1 era, but Hollow Knight really upped the stakes.
I'm sure I'm forgetting things and people will have some criticism, but I really don't believe games have stagnated in general.
What is the advantage over blue noise? I've had very good results with a 64x64 blue noise texture and it's pretty fast on a modern GPU. Are quasirandom sequences faster or better quality?
(There's no TAA in my use case, so there's no advantage for interleaved gradient noise there.)
EDIT: Actually, I remember trying R2 sequences for dither. I didn't think it looked much better than interleaved gradient noise, but my bigger problem was figuring out how to add a temporal component. I tried generalizing it to 3 dimensions, but the result wasn't great. I also tried shifting it around, but I thought animated interleaved gradient noise still looked better. This was my shadertoy: https://www.shadertoy.com/view/33cXzM
At some point, most NTSC TVs had delay lines, too. A comb filter was commonly used for separating the chroma from the luma, taking advantage of the chroma phase being flipped each line. Sophisticated comb filters would have multiple delay lines and logic to adaptively decide which to use. Some even delayed a whole field or frame, so you could say that in this case one or more frames were stored in the TV.
I think they are more accessible now than when that article was written. My wife and I bought a mid-trim Hyundai Kona Electric for under $35,000. Besides, lots of people buy used cars, and there are crazy deals on used EVs. I've seen Bolts go for under $15,000. 2 year old ID.4s are selling for under $20,000 in my area. You may not find a $5,000 beater, but EVs are penetrating further into the middle of the market now.
There are also lower ongoing costs for maintenance and fuel.
There is still the secondary wealth filter of having a place to park and charge, of course.
> For example, 720 is tied to 13.5 Mhz because sampling the active picture area of an analog video scanline at 13.5 MHz generates 1440 samples (double per-Nyquist).
I don't think you need to be doubling here. Sampling at 13.5 MHz generates about 720 samples.
13.5e6 Hz * 53.33...e-6 seconds = 720 samples
The sampling theorem just means that with that 13.5 MHz sampling rate (and 720 samples) signals up to 6.75 MHz can be represented without aliasing.
CRTs didn't have pixels at all. They had shadow masks (or aperture grilles) and phosphors, which could be a triad of rectangles, lines spanning basically the entire screen height, or dots. They did not line up with the signal, so it doesn't make sense to call them pixels.
Aerated concrete is an established building material in some parts of the world. In Europe, a big manufacturer is Ytong, and they even make precast panels in addition to blocks.
It's made differently from this, though. It is aerated through a chemical reaction rather than mechanically.